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A Timeline. Vaughan Williams’ mother was Margaret Wedgwood. She was a direct descendant of pottery magnate, Josiah Wedgwood, and a niece of Charles Darwin, author of the Origin of Species. Her family home was ‘Leith Hill Place’, a farm estate near the village of Coldharbour, a few miles from Dorking in Surrey.
A guide to Vaughan Williams's Fantasia on a Theme of Thomas Tallis and ...
1 de ene. de 2020 · 4 Vaughan Williams came upon Tallis's melody (see Example 1 below) in Archbishop Matthew Parker's The Whole Psalter Translated into English Metre (London, 1567), where, as the third of Tallis's nine four-part psalm settings, it sets Psalm 2 and begins: ‘Why fum'th in sight: the Gentil's spyght’. For a transcription of Tallis's four-part setting, which places the famous tune (made so by ...
7 de ago. de 2022 · Vaughan Williams composed his Concerto for Tuba for the golden jubilee of the London Symphony Orchestra in 1954 with the orchestra's own tuba player, Philip Catelinet, as the soloist. While the three-movement piece is relatively short, it still demonstrates Vaughan Williams' own harmonic and rhythmic style. Initial reviews of the premiere were ...
Symphonies by Ralph Vaughan Williams. A Sea Symphony (Symphony No.1) A London Symphony (Symphony No.2) Pastoral Symphony (Symphony No.3) Symphony in F minor (Symphony No.4) Symphony in D major (Symphony No.5) Symphony in E minor (Symphony No.6) Sinfonia Antarctica (Symphony No.7) Symphony No.8 in D minor.
18 de dic. de 2022 · 5 Symphony No. 4 in F Minor; 6 Wartime Tensions; 7 Symphony No. 5 in D Major; 8 Symphony No. 6 in E Minor; 9 Sinfonia antartica and the Last Two Symphonies; 10 Fantasia on a Theme by Thomas Tallis and Other Orchestral Works; 11 Choral and Vocal Works; 12 Vaughan Williams, Boult and The Pilgrim’s Progress; Appendix 1 Annotations on Boult’s ...
18 de dic. de 2022 · Fantasia on a Theme by Thomas Tallis. Vaughan Williams gave a copy of the printed full score of the Fantasia on a Theme by Thomas Tallis to Boult in January 1922, but it was another ten years before he conducted it. The reasons for this are unclear: perhaps Boult was initially doubtful of the work’s effectiveness in a concert hall, as opposed to a cathedral or large church where the spatial ...
