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  1. Henri Matisse : Rooms with a View. This book brings together for the first time the rich collection of Matisses paintings of interiors and windows. The distinguished art historian Shirley Blum analyses more than fifty works, from the early painting "Studio Under the Eaves" (1901-02) to the great stained glass window at the "Chapel of the Rosary ...

  2. Looking for books by Shirley Neilsen Blum? See all books authored by Shirley Neilsen Blum, including Henri Matisse: Rooms with a View, and The New Art of the Fifteenth Century: Faith and Art in Florance and The Netherlands, and more on ThriftBooks.com.

  3. Shirley Neilsen Blum, explores the art of Europe during the 1400's. This momentous era witnessed the introduction of oil painting, the invention of linear perspective and a revival of life-like portraiture - after an intermission of nearly one thousand years.

  4. Distinguished art historian Shirley Neilsen Blum analyzes more than fifty paintings, starting with the early Studio Under the Eves (1903), a traditional darkened room with a small brilliant window, through Harmony in Red (1908), with its startling use of color, pattern, and line, to the more abstract work created during World War I such as The Piano Lesson (1916).

  5. Distinguished art historian Shirley Neilsen Blum analyzes more than fifty paintings, starting with the early Studio Under the Eves (1903), a traditional darkened room with a small brilliant window, through Harmony in Red (1908), with its startling use of color, pattern, and line, to the more abstract work created during World War I such as The Piano Lesson (1916).

  6. Distinguished art historian Shirley Neilsen Blum analyzes more than fifty paintings, starting with the early Studio Under the Eves (1903), a traditional darkened room with a small brilliant window, through Harmony in Red (1908), with its startling use of color, pattern, and line, to the more abstract work created during World War I such as The Piano Lesson (1916).

  7. 24 de feb. de 2015 · Shirley Neilsen Blum offers a new synthesis of this remarkable period in Western art?between the refinements of the Gothic and the classicism of the High Renaissance?when the mystical was made to seem real. In the first part of her text, ...