Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 19 de oct. de 2015 · 19 October 2015, 09:00. Words by Emma Finamore. Original Photography by Steve Gullick. (Richard Hawley) On his latest record, Richard Hawley once again drew locally for inspiration. He talks to Emma Finamore about Sheffield and the folk traditions that permeate Hollow Meadows. “Hiya, you alright love?” says a comfortingly warm Yorkshire voice.

  2. If 2012’s stunning ‘Standing At The Sky’s Edge’ represented something of a stylistic bolt into leftfield for Richard Hawley, then ‘Hollow Meadows’, at least on the surface, appears to be a natural retreat to more familiar territory.Nowhere is this more obvious than in the return to adopting aspects of Sheffield geography for the album’s title.

  3. Following the success of his hugely acclaimed 2012 album, Standing At The Sky’s Edge, Richard Hawley will release his eighth studio album, Hollow Meadows on September 11th, via Parlophone Records. Recorded at Sheffield’s Yellow Arch Studio in spring 2015, Hollow Meadows sees Hawley return to the classic, sophisticated songwriting and subtle arrangements that made him so widely loved and ...

  4. 11 de sept. de 2015 · View credits, reviews, tracks and shop for the 2015 Vinyl release of "Hollow Meadows" on Discogs.

  5. Hollow Meadows: Richard Hawley: Amazon.es: CDs y vinilos} Saltar al contenido principal.es. Hola Elige tu dirección Música: CDs y vinilos. Selecciona el departamento que quieras buscar. Buscar Amazon.es. ES. Hola, identifícate ...

  6. A friend recommended Richard Hawley to me and it is the best recommendation of music I have ever had. He is a phonemically a genius in moving your soul, heart and giving you Goosebumps ! I am loving Hollow Meadows the man is pure gold, if you are looking at this review and tempted click purchase now - a decision you won't regret.

  7. Sheffield’s favourite classic-style rock singer-songwriter Richard Hawley returns to your stereos with Hollow Meadows, album number eight in his oeuvre.Hawley broods and ponders on mature subject matter, backed by arrangements both richly orchestral and grittily direct (especially when Hawley’s guitar solos come into play).