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  1. Bad for Good ist das Debütalbum und zugleich das einzige Album des verstorbenen Komponisten und Sängers Jim Steinman. Es wurde 1981 veröffentlicht. Das komplett von Jim Steinman komponierte Album wurde größtenteils von ihm gesungen. Einige Titel wurden von Rory Dodd interpretiert.

  2. en.wikipedia.org › wiki › Jim_SteinmanJim Steinman - Wikipedia

    Steinman's only solo album Bad for Good was released in 1981. Steinman's work also extended to musical theater, where he began his career. Steinman was credited with the book, ... Jim Steinman wrote a song titled "Vaults of Heaven" which has the same melody as "Milady" from The Confidence Man and "Für Sarah" from Tanz der Vampire.

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  4. 7 de dic. de 2006 · But Jim Steinman does have a decent singing voice and while he lacks the power of Meatloaf he does do a good job at singing, and if you like his song writing style, then you will find this album a great little gem. 5 stars from me because I like his songwriting and while I love Meatloaf and Bonnie, I also love variety and variation of songs I love.

  5. Bad for Good von Jim Steinman aus dem Jahr 1981 ist ein absolut beeindruckendes Album. Steinman, einer der größten Komponisten und Texter seiner Zeit, präsentiert hier sein einzigartiges Talent und schafft es, beim Zuhörer eine enorme Gänsehaut zu verursachen. Sein Stil ist unverkennbar und seine Fähigkeit, Melodien und Texte zu kreieren ...

  6. I'll be bad for good (God speed) I'll be bad for good (God speed) I'll be bad for good (God speed) Speed us away, speed us away, speed us away, speed us away The sea is whipping the sky The sky is whipping the sea You can hide away forever from the storm But you'll never hide away from me The icy cold will cut us like a knife in the dark And we ...

  7. 14 de ago. de 2020 · Jim Steinman didn't invent theatrical rock & roll, but it could be argued he perfected it. Steinman's solo discography may be meager -- he released just one album in his decades-long career, 1981's Bad for Good -- but his signature is indelible: bombastic melodies delivered with the melodrama of opera, the volume of arena rock, and the angst of teensploitation.