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  1. 16 de may. de 2024 · Even so, buoyed by the album’s artistic achievement, Brian Wilson had plans for a grandiose follow-up called Smile, which was preceded by a taster single “Good Vibrations” in late 1966.

  2. Hace 2 días · Según muchos de sus biógrafos, “Brian Wilson es un genio” llegó a hacer tanto daño que, con toda probabilidad, sea la máxima responsable del modo en que colapsaron las sesiones de Smile ...

  3. Hace 4 días · Brian Wilson Released in March 1965, The Beach Boys Today! marked the first time the group experimented with the "album-as-art" form. The tracks on side one feature an uptempo sound that contrasts side two, which consists mostly of emotional ballads. Music writer Scott Schinder referenced its "suite-like structure" as an early example of the rock album format being used to make a cohesive ...

  4. cronicaglobal.elespanol.com › examen-protagonistas › 20240519Brian Wilson - Crónica Global

    Hace 5 días · La chaladura inherente al señor Wilson empezó a manifestarse con la continuación de Pet Sounds, Smile, que para Wilson nunca estaba terminado y nunca llegaba a ser lo que tenía que ser: la obra definitiva con la que asestar un golpe mortal a los Beatles.El disco se archivó en su momento y no salió hasta hace unos pocos años, después de que el bueno de Brian lo torciera y lo retorciera ...

  5. Hace 1 día · Brian Wilson made his first red carpet appearance with his Beach Boys bandmates on May 21 following the recent conservatorship ruling. Wilson's longtime business manager and longtime manager ...

  6. Hace 2 días · The Beach Boys founding member Brian Wilson surprised fans by attending the band's documentary premiere in Los Angeles on Tuesday, amid health issues. Wilson's daughters, Carnie and Wendy Wilson ...

  7. Hace 5 días · Brian Wilson’s masterpiece “Pet Sounds,” released in 1966, is often hailed as one of the greatest albums in the history of popular music. With its lush arrangements, introspective lyrics, and groundbreaking production techniques, the album pushed the boundaries of what was possible in contemporary music.