Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 9 de abr. de 2024 · Tamblyn, who starred as Riff in "West Side Story," looks back at the exciting behind-the-scenes moments of his Hollywood career in his new book, “Dancing On ...

  2. Biografía de Russ Tamblyn 30 de Diciembre de 1934, y su filmografía, todas sus películas: Drive, El demonio de las armas, West Side Story, Twin Peaks (2ª temporada), Twin Peaks

  3. Biography. Read More. A boundlessly energetic presence in films for over five decades, Russ Tamblyn's extraordinary talent as a dancer was a key element to some of Hollywood's greatest musicals, including "Seven Brides for Seven Brothers" (1954) and "West Side Story" (1961). A juvenile performer from the age of 13, he played all-American kids ...

  4. Russ Tamblyn. Highest Rated: 100% Tom Thumb (1958) Lowest Rated: Not Available. Birthday: Dec 30, 1934. Birthplace: Los Angeles, California, USA. A boundlessly energetic presence in films for over ...

  5. Tousle-haired juvenile actor Russ Tamblyn began taking up dancing and acrobatics at the age of six. Needing very little prodding from his parents, the eager Tamblyn embarked on his professional career in the late '40s, performing in radio and Los Angeles musical revues. His first "straight" acting assignment was opposite Lloyd Bridges in the ...

  6. nl.wikipedia.org › wiki › Russ_TamblynRuss Tamblyn - Wikipedia

    Russ Tamblyn. Russell Irving (Russ) Tamblyn ( Los Angeles, 30 december 1934) is een Amerikaans acteur en voormalig danser. De zoon van acteur Eddie Tamblyn stond al als tiener voor de camera. Hij werd het meest bekend als gangleider Riff in de musicalfilm West Side Story en als de excentrieke psychiater Dr. Lawrence Jacoby in de televisieserie ...

  7. Hace 6 días · Russ Tamblyn in conversation with Pat Thomas. Beyond Baroque Literary Arts Center 681 Venice Boulevard Venice Beach, Los Angeles, CA 90291. Friday, May 31, 2024 8:00 PM – 10:00 PM. For more information, please visit: Beyond Baroque Literary Arts Center ‘Dancing on the Edge’