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Stéphane Mallarmé nació en París, Francia, el 18 de marzo de 1842. A los siete años quedaría huérfano de madre, por lo que se trasladaría a vivir junto a sus abuelos. Cursaría el Bachillerato en Sens. En 1862 se trasladaría a Londres para aprender el idioma para trabajar como profesor de inglés. Allí se casaría con una joven ...
Stéphane Mallarmé (1842-1898) tên thật là Étienne Mallarmé, là nhà thơ tượng trưng nổi tiếng của Pháp. Ông là nhà thơ đứng đầu trường phái này. Cũng như Baudelaire, Stéphane Mallarmé rất thích Edgar Poe. Là giáo sư dạy Anh văn, ông đã dịch tập thơ Con quạ của Edgar Poe ra tiếng ...
1842–1898. Getty. Stéphane Mallarmé was recognized as one of France’s four major poets of the second half of the 19th century, along with Charles Baudelaire , Paul Verlaine, and Arthur Rimbaud. Much of his poetry was acknowledged to be difficult to understand because of its tortuous syntax, ambiguous expressions, and obscure imagery.
Decadent. Stéphane Mallarmé (born March 18, 1842, Paris—died Sept. 9, 1898, Valvins, near Fontainebleau, Fr.) was a French poet, an originator (with Paul Verlaine) and a leader of the Symbolist movement in poetry. Mallarmé enjoyed the sheltered security of family life for only five brief years, until the early death of his mother in August ...
Mar 18, 1842 - Sep 9, 1898 Stéphane Mallarmé, pen name of Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism.
29 de may. de 2018 · Stéphane Mallarmé. The French poet Stéphane Mallarmé (1842-1898) was the master of the symbolist writers in France. His poetic theories and difficult, allusive poems separated him from the general public but won him intense admiration within the circle of his initiates. Stéphane Mallarméwas born in Paris on March 18, 1842.
Publicada aparte en 1876, esta poesía reveló el original genio poético de Stéphane Mallarmé (1842-1898) y siguió siendo, con mucho, la más famosa de sus Poesías (v.). Es una especie de poemita en ciento diez versos (que son, en su mayor parte al menos, en realidad, variaciones muy libres del tradicional alejandrino), dividido en una decena de estrofas de medida desigual.
