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View Kerry James Marshall’s 176 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the ... Marshall's Past Times (1997) sold for $21.1 million at auction, at the time marking the highest price ever paid at auction for a work by a living African American artist. Marshall lives and works in Chicago, IL ...
16 de may. de 2018 · Kerry James Marshall’s pivotal Past Times was a highlight of the artist’s recent mid-career survey organized by the Museum of Contemporary Art, Chicago; The Metropolitan Museum of Art, New York; and the Museum of Contemporary Art, Los Angeles. The most significant work by the renowned artist to ever come to auction, Past Times has officially quadrupled the artist's auction record ...
17 de may. de 2018 · A GRAND-SCALE PAINTING by Kerry James Marshall had bidders battling last night. Marshall’s “Past Times” (1997) soared beyond the high estimate and sold for $18.5 million ($21.1 million, including fees). The high bid came by phone, setting an artist record. The painting was featured in Sotheby’s May 16 Contemporary Art Evening Auction and carried a pre-sale estimate of $8 million-$12 ...
Kerry James Marshall, Past Times, 1997, acrylic and collage on canvas, 290 × 396cm Kerry James Marshall, At the End of the Wee Hours , 1986, cut-paper collage, 24.4 × 20.3cm Taking the latter part first, we can understand why Marshall does not identify himself as postmodern, as he suggests in an interview with African-American cinematographer Arthur Jafa.
2 de dic. de 2016 · Kerry James Marshall, "Past Times," 1997, Acrylic and collage on canvas, 9 ft. 6 in. × 13 ft. Metropolitan Pier and Exhibition Authority, McCormick Place Art Collection, Chicago. Nathan Keay/MCA Chicago. The self-portraits within the paintings, unfinished, rest propped up on easels in the backdrop.
Kerry James Marshall, Past Times, 1997, acrylic and collage on canvas, 290 × 396cm Kerry James Marshall, At the End of the Wee Hours , 1986, cut-paper collage, 24.4 × 20.3cm Taking the latter part first, we can understand why Marshall does not identify himself as postmodern, as he suggests in an interview with African-American cinematographer Arthur Jafa.
20 de oct. de 2016 · Kerry James Marshall’s “Many Mansions” (1994) is included in a retrospective of his work opening at the Met Breuer on Tuesday. Kerry James Marshall, The Art Institute of Chicago. By Holland ...
