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X is the seventh studio album by Australian rock band INXS, released on 25 September 1990 through WEA in Australia, Mercury Records in Europe, and Atlantic Records in the United States and Canada. The follow-up to the massive seller Kick, X scored hits with "Suicide Blonde" and "Disappear" (both Top 10 in the US). Both singles were later used in the soundtrack to the 1991 American teen comedy ...
Layla Musselwhite is a New Orleans-based singer songwriter and slide guitarist who draws on a rich musical legacy via her father, blues legend Charlie Musselwhite. Layla grew up on the road steeped in the music of the greatest artists of our time including Muddy Waters, Howlin Wolf, Big Mama Thornton & John Lee Hooker. While her music spans ...
18 de jun. de 2021 · Charlie Musselwhite - harmonica, vocalist. Charlie Musselwhite seemed destined to be a bluesman. Born in Mississippi, the cradle of the blues, in 1944, Charlie moved to Memphis at an early age and became immersed in the city's diverse musical culture. While Charlie soaked up the music of Memphis with the enthusiasm of a true devotee, it was the ...
Charlie Musselwhite (2003) Charles Douglas Musselwhite (sündinud 31. jaanuaril 1944) on Ameerika elektrilise bluusi suupillimängija ja bändijuht, üks valgetest bluusimeestest, kes tõusis esile 1960. aastate alguses koos Mike Bloomfieldi ja Paul Butterfieldiga.
One Night in America is the twenty first studio album by American blues singer and harmonica player Charlie Musselwhite. It was released in February 2002 on Telarc record label and it was Musselwhite's debut and only release on this label. Track listing "Trail of Tears" (Allen Reynolds, Roger Cook) – 4:17
No Mercy in This Land is the fourteenth studio album by American artist Ben Harper and the twelfth studio album by the American electric blues harmonica player and bandleader Charlie Musselwhite released by Anti-on March 30, 2018.. Track listing. All tracks composed by Ben Harper; except where indicated
4 de ago. de 2022 · For Charlie Musselwhite, the blues isn’t just a style of music. It’s a sacrament. And Musselwhite is one of its high priests. With a palmful of bent notes on the harmonica—the instrument on which he’s been an acknowledged master for more than a half-century—or the fat snap of a guitar string, he has the power to summon not only the blues’ great spirits, but the places they rose from.
