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Walter De Maria (Albany, 1º ottobre 1935 – New York, 25 luglio 2013) è stato uno scultore statunitense. È uno dei principali esponenti della corrente artistica detta Land Art alla quale è passato dopo un'iniziale esperienza di scultore nell'ambito della Minimal Art (alcune sue opere di questo periodo, come “Balldrop” del 1961 , si trovano al Guggenheim Museum di New York ).
The Invisible, isolation, and the sublime. When he announced The Lightning Field in the April 1980 issue of Artforum De Maria explained, “The invisible is real” and “Isolation is the essence of land art.”. These are the statements that preoccupied us as we explored this work of art. The maximum number of visitors at any one time is six ...
Land art. El land art, lant, earth art o earthworks (propuesto por Robert Smithson ), también conocido como arte de la Tierra, arte ambiental u obras de tierra, es una corriente del arte contemporáneo en la que el paisaje y la obra de arte están estrechamente enlazados. Utiliza a la naturaleza como material (madera, tierra, piedras, arena ...
Walter De Maria (Albany 1.10.1935–25.7.2013 Los Angeles) war ein US-amerikanischer Künstler des Minimalismus (→ Minimal Art | Minimalismus), der Konzeptkunst und der Land Art. Seit 1968 schuf De Maria minimalistische Skulpturen und Installationen wie den Münchner „Earth Room [Erdraum]“ (1968).
Walter De Maria est un artiste américain du Land art né le 1er octobre 1935 à Albany en Californie et mort le 25 juillet 2013 à New York. En 1957 il est diplômé de l’université de Californie à Berkeley, où il obtient son M.F.A. en peinture deux ans plus tard.
Walter de Maria's artistic practice is connected with minimal art, conceptual art, and land art of the 1960s. LACMA director Michael Govan said, "I think he's one of the greatest artists of our time." Govan, who worked with De Maria for a number of years, found De Maria's work "singular, sublime and direct".
13 de may. de 2021 · Two different and diachronic paths, but with striking assonances. An exploration of these two artists’ works reveals a paradigm shift in land art, from anthropocentric to eco-centric. This article was originally published on Domus 1057, May 2021. “I first met Walter in downtown New York.
