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Guardala very much set the standard for the top quality, pro players' mouthpiece back in the 1980s- specifically his groundbreaking work for Michael Brecker. The studio is the third brightest of the tenor models. It has tremendous volume with unexcelled resonance and full and balanced frequency response.
Mouthpiece for Tenor Saxophone Tip opening: 2.95 mm, Material: Brass, silver-plated, Suitable for jazz, fusion and pop, ... Mais sachez tout de même que Michael Brecker, ce Grand Monsieur restera à jamais irremplaçable !!! RIP response. sound. quality. 4. 0. Report ...
20 de may. de 2011 · 2195 posts · Joined 2004. #33 · May 24, 2011. In #21 he's using a silver plated double ring with a Selmer 404 lig. For sure. It's pretty easy to track down what he was using (except near the end when he would use a different setup on a couple tunes of a record) from the year.
15 de feb. de 2008 · It works that way sometimes. The story of the first Guardalas, and how Michael Brecker came by his, is indeed an interesting history, not so much of Brecker, but of earlier days of the custom mouthpiece industry. What's unsaid here. but obvious: Michael Brecker was a great, GREAT player before he got his Guardala.
19 de feb. de 2023 · After only a year at Indiana University, Michael Brecker moved to New York City in 1970 where he carved out a niche for himself as a dynamic and exciting jazz soloist. He first made his mark at age 21 as a member of the jazz/rock band Dreams—a band that included his older brother Randy, trombonist Barry Rogers, drummer Billy Cobham, Jeff Kent ...
The Best Embouchure for Tone, Intonation and Endurance Lesson Only 9.99. Sonny Rollins and Coleman Hawkins Embouchures. Two Tenor giants! Coleman Hawkins along side Sonny Rollins! Wow! Notice Sonny’s bottom lip rolled out. Gene Ammons Embouchure. The incomparable Gene Ammons with a rollout of the bottom lip.
25 de mar. de 2024 · Moving to New York and working with jazz-rock band Dreams. After a brief period of study at the University of Indiana, Brecker made the big move to New York City in 1969, as so many jazz musicians have done before and since. Aged just 20, he became a member of the jazz-rock group Dreams, recording Dreams and Imagine My Surprise.
