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Frankenthaler’s works are large in scale and often feature expansive areas of paint.The artist developed a painting technique in which she thinned pigments with turpentine so that they soaked through and stained the unprimed canvas instead of resting on the surface. The images and colors then become embedded in the fabric of the canvas, making the paintings resemble giant watercolors.
Helen Frankenthaler (Nova Iorque, 12 de dezembro de 1928 — Connecticut, 27 de dezembro de 2011) foi uma pintora dos Estados Unidos. A artista frequentou a Dalton School em Nova Iorque e mais tarde o Bennington College em Bennington, Vermont. Regressando a Nova Iorque, estudou com Hans Hofmann.
Artigo da Wikipedia Referências. Helen Frankenthaler (Nova Iorque, 12 de Dezembro de 1928 — Connecticut, 27 de dezembro de 2011) foi uma pintora dos Estados Unidos da América. A artista frequentou a Dalton School em Nova Iorque e mais tarde o Bennington College em Bennington, Vermont. Regressando a Nova Iorque, estudou com Hans Hofmann.
Helen Frankenthaler, an integral member of the so-called second wave of Abstract Expressionists, is lauded for her material experimentation. Across her lush canvases, she developed her signature soak-stain technique, in which she applied washes of … Read more
Peintre américaine. Artiste majeure de l’expressionnisme abstrait, Helen Frankenthaler marque la transition avec le color field painting. Fille d’un juge de la Cour suprême de justice, Alfred Frankenthaler, et de Martha Lowenstein, elle sort diplômée de la Dalton School en 1945 et étudie au Bennington College dans le Vermont.
22 de may. de 2021 · Though Helen Frankenthaler is known best for her pioneering “soak-stain” technique, her body of work spans a formidable range of styles and techniques, including color field painting. She seems to have pulled, at some point, from all across the landscape of mid-century abstraction in America. She never strays, however, from her own distinct ...
5 de abr. de 2021 · Frankenthaler and Motherwell divorced in 1971, and perhaps it should have been easier for peers and critics to re-situate her art within the generation that rebelled against the Ab Ex anguish. A ...
