Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. www.discogs.com › release › 2446185-Jeffrey-Lee-Pierce-And-The-Gun-Club-The-LifeJeffrey Lee Pierce And The Gun Club - Discogs

    Jeffrey Lee Pierce And The Gun Club – The Life And Times Of Jeffrey Lee Pierce And The Gun Club. More images. Label:Retro Deluxe – RDBX004, Vibrant Records Ltd. – RDBX004: Format: 4 x CD, Compilation. ... She's The Girl I Love / Ghost On The Highway: 4:12: 2-14: The Lie: 3:36: 2-15: Band Interview: 1:13: 2-16: Fire Spirit: 2:08: 2-17 ...

  2. 29 de jun. de 2006 · A biographical study of seminal punk blues singer Jeffrey Lee Pierce and his band the Gun Club.

  3. 23 de oct. de 2016 · BY GREGG FOREMAN The Gun Club were a Los Angeles based band who successfully fused punk and blues to create sounds of haunted, love lost highways. The band was started by Jeffrey Lee Pierce and Kid

  4. en.wikipedia.org › wiki › The_Gun_ClubThe Gun Club - Wikipedia

    The Gun Club were an American post-punk band from Los Angeles that existed from 1979 to 1996. Created and led by singer-songwriter and guitarist Jeffrey Lee Pierce, they were notable as one of the first bands in the punk rock subculture to incorporate influences from blues, rockabilly, and country music.The Gun Club has been called a "tribal psychobilly blues" band, as well as initiators of ...

  5. 2 de may. de 2014 · Kazuo Ishiguro, author of An Artist Of The Floating World and The Remains Of The Day, once told the Paris Review: "I discovered that my imagination came alive when I moved away from the immediate world around me."After reading Jeffrey Lee Pierce’s posthumously-published (and written towards the end of his life) memoir Go Tell The Mountain it’s easy to conclude that he was of the same mind ...

  6. 1 de jun. de 2006 · Pierce’s band, The Gun Club, walking a pace or two behind, have just played the Cathay de Grand, a show like Howlin’ Wolf backed by The Damned. Jeffrey howled, crawled and drank his way through Sex Beat, Ghost On The Highway, For The Love Of Ivy (Pierce’s paean to The Cramps) and Son House’s Preachin’ The Blues, mining a primitive, genuinely transgressive rock’n’roll spirit.