Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Part of the 2012 Globe to Globe Festival. Ashtar is a dynamic Palestinian theatre company with a global perspective, founded in Jerusalem in 1991. In 2010 the group performed The Gaza Monologues, a series of stories told by the young people of Gaza - an unprecedented theatrical project involving thousands of people and 44 theatre groups from around the world.

  2. A new Richard III for 2024. The Globe's Artistic Director Michelle Terry steps into the boots of the infamous monarch, whose own reviled reputation mostly stems from this portrait by Shakspeare, thought to be written in service to the Tudors who dispatched him. Ruthless in his pursuit of the crown, join Terry as she crusades to the heart of ...

  3. 26 de jul. de 2012 · Mark Rylance as Richard III Simon Annand. “Would you enforce me to a world of cares?” croons Rylance’s Richard III, lingering tremulously over his question, the picture of world-sick piety and reluctance. As the groundlings cheer an ecstatic affirmative, Shakespeare’s most compelling villain once again claims the dramatic victory.

  4. 22 de may. de 2024 · Shakespeare’s play has a complicated background context, ... has The Globe proved its Richard III belongs in the history ... Runs 3hr Sat, 1 Jun 2024 19:30 Shakespeare's Globe £5-£75. Runs 3hr

  5. Richard II 1; Richard III 1; Romeo and Juliet 15; The Comedy of Errors 1; The Merchant of Venice 1; The Merry Wives of Windsor 1; The Taming of the Shrew 3; The Tempest 1; The Two Gentlemen of Verona 1; The Two Noble Kinsmen 2; The Winter's Tale 5; ... Shakespeare's Globe on Facebook.

  6. WHAT’S ON; Shakespeare's Globe Story & Tour 3 May - 31 October 2024; Much Ado About Nothing 2024 3 May - 24 August 2024; Richard III 9 May - 3 August 2024; SEE MORE EVENTS

  7. 12 de sept. de 2019 · Making sense of history: Adjoa Andoh on Richard II. by Greg Morrison. 12 September 2019. 9 minute read. Adjoa Andoh is directing and starring in the first major production of Richard II with a company entirely made up of women of colour. In this interview she explores why now is the time for this production.