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Synopsis. The film PERRET IN FRANCE AND ALGERIA presents 30 buildings and architectural ensembles of the French architects and construction engineers Auguste and Gustave Perret. Auguste Perret has masterfully refined concrete construction in the implementation of his projects and instilled in them a classical expression. Working in parallel to ...
- Heinz Emigholz Retrospektive im Stadtkino Basel, 2017 - Human Rights Festival Zagreb, 2017 - Copenhagen Architecture Festival, 2018 - BOZAR Cinema Brussels, 2018 - Metakino Festival Helsinki, 2019. Additional Texts. Eladio Dieste. Eladio Dieste was born in Artigas, Uruguay in 1917.
Heinz Emigholz. Director; Cinematographer; Editor “I see framing as a photographic act: setting out the frame in full awareness of what you’re still going to film or what you’ve already filmed.
13 de dic. de 2023 · A Book Review by Rastko Novakovic. A fascinating record of the depth of Heinz Emigholz’s cinematic engagement and the evolving critical reception of it.” Heinz Emigholz started in the structuralist vein with the Shenec-Tady trilogy (1972-75): intricate, silent, mathematically composed studies of landscape. Those who know these films will be […]
Heinz Emigholz. GER 2022, 80 min. The quasi-fascist architecture of Francisco Salamone's slaughterhouses in the Argentine pampas, the utopian buildings by Freddy Mamani Silvestre in El Alto, Bolivia, and the restorative "City Palace" in Berlin are the cornerstones of an analytical documentary film that explores the dual character of ...
Included on Disc 2 of the DVD! Disc 1: SLAUGHTERHOUSES OF MODERNITY (GER 2022, 80 min), Interview with the Bolivian architect Freddy Mamani Disc 2: MAMANI IN EL ALTO (Heinz Emigholz, GER 2022, ca. 95 min.), SALAMONE, PAMPA (Heinz Emigholz, GER 2022, ca. 62 min.), Booklet with a text by Heinz Emigholz about the three films (German / English)
26 de oct. de 2015 · The Films of Heinz Emigholz Monographic show and publication, Screenings and conversations A pioneer of experimental architectural and narrative film: Since the 1970s, Heinz Emigholz has used a unique cinematic formal language to explore the relationship between film time and spatial experience, remembrance structure and consciousness.
