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In the late 1940s, the incandescent Hollywood star Ingrid Bergman found herself so stirred by the revolutionary neorealist films of Roberto Rossellini that she sent the director a letter, introducing herself and offering her talents. The resulting collaboration produced a series of films that are works of both sociopolitical concern and metaphysical melodrama, each starring Bergman as a woman ...
De Roberto Rossellini, gebuer den 8. Mee 1906 zu Roum an och do gestuerwen den 3. Juni 1977, war en italieenesche Filmregisseur, deen de Filmstil vum Italieenesche Neorealismus (mat)geprägt huet. Hie gëllt haut als ee vun de bedeitendsten italieenesche Filmregisseuren. Zu senge bekanntste Filmer zielen Roma, Città aperta (1945), Paisà (1946 ...
20 de dic. de 2016 · Roberto Rossellini could be excused for being a bit late on a recent Thursday afternoon. He had been out on Long Island, in Bellport, helping his mother, the actress Isabella Rossellini, bring her ...
11 de mar. de 2015 · More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella Rossellini, one of his three children with Ingrid Bergman, with whom he conducted a notorious affair before their seven-year marriage in the 1950s.
13 de mar. de 2023 · Roberto Rossellini was one of the most important post-World War II directors, known for masterpieces like Europe '51, Germany Year Zero, and Paisan.
Rossellini reconoce en su cine didáctico que el conocimiento no es un objeto sino un proceso, del que es preciso restituir todos sus significados. El camino marcado por este proceso y la tensión del conocer real con la ilusión de conocer, son los dos factores que permiten que el cine didáctico de Rossellini avance.
19 de jul. de 2002 · Rossellini, Roberto. b. May 8, 1906, Rome, Italy. d. June 3, 1977, Rome, Italy. We all, film critics, filmmakers, film buffs, moviegoers, Western people and even people whose culture has been ‘influenced’, ‘transformed’ or ‘modernized’ by the West, we are all condemned to Rossellini. Needless to say, since all major directors ...
