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30 de sept. de 2023 · Nicolas Roeg: ‘Nothing is what it seems’. In the first of a new monthly Observer column on his favourite film-makers, Mark Kermode salutes the elliptical vision of the director of Don’t Look ...
Nicolas Roeg nacque a Londra il 15 agosto 1928. Dopo il servizio militare, durante il quale fece da proiezionista di film per la sua unità, senza aver frequentato scuole o corsi di cinema, ottenne un lavoro come duplicatore di film presso il Marylebone Studio dove imparò anche le tecniche di montaggio. Nel 1950 passò ai Borehamwood Studios ...
Nicolas Jack Roeg (15 August 1928 – 23 November 2018) was an English film director and cinematographer, best known for directing Performance (1970), Walkabout (1971), Don't Look Now (1973), The Man Who Fell to Earth (1976), Bad Timing (1980), and The Witches (1990). Making his directorial debut 23 years after his entry into the film business, Roeg quickly became known for an idiosyncratic ...
25 de nov. de 2018 · Nicolas Roeg, 1928-2018. Sometimes you get lost in a memory so intense that when you emerge, you aren't sure if you've been spacing out for a second or a minute. That's where Nicolas Roeg's cinema lived. Roeg, the British cinematographer-turned-director who died Friday at 90, was one of the least celebrated influential filmmakers of the last ...
Though his last feature – Puffball – was made in 2007, Nicolas Roeg was still up until his death defiantly regarded by many as Britain’s finest living director. His most celebrated film, Don’t Look Now (1972), won a Time Out poll in 2011 as ‘Best British Film’. And in the same poll, his debut – as co-director with Donald Cammell – Performance (1970) came seventh.
24 de nov. de 2018 · Nicolas Roeg, the British cinematographer turned director who employed his visual flair on such films as David Bowie’s 'The Man Who Fell to Earth' and the horror masterpiece 'Don’t Look Now ...
24 de nov. de 2018 · Nicolas Roeg was both a fine cinematographer and inventive director, who stamped his own unique look on the films that he made. One critic described him as both a magician and a juggler.
