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Shadows and Light: Directed by Joni Mitchell. With Joni Mitchell, Don Alias, Pat Metheny, Jaco Pastorius. Documents Joni Mitchell's historic 1979 tour backed by an all-star band of jazz-fusion musicians. Filmed at Santa Barbara County Bowl and intercut with classic film clips and original footage to give visual interpretations of the music.
To get a look at the band’s live show you can check out our videos. We look forward to some great shows in 2023. Shadows and Light celebrate the songs and stories of Joni Mitchell. Welcome to the Official Website of Shadows and Light Our New Album released in the summer, recorded in June in Ventry Studio, Balbriggan. Enjoy!
Shadows And Light. Guitar chords transcribed by Mark Domyancich. Tuning: BF#C#EBD# (other transcriptions in this same tuning) "Joni" Tuning: B77374 Tuning pattern: x77374 (others in this same pattern) Download/View Transcription (PDF) Author ... Follow Joni Mitchell. Website Design by
Joni Mitchell. POP · 1980. Recorded at the Santa Barbara County Bowl in September 1979 during her tour supporting Mingus, Shadows and Light was Joni Mitchell’s second double-LP live album. The years 1975 through 1979 had been adventurous ones for Mitchell. The all-star band here—consisting of guitarist Pat Metheny, bassist Jaco Pastorius ...
シャドウズ・アンド・ライト (ライブ映像) 『 シャドウズ・アンド・ライト (原題: Shadows and Light) 』は ジョニ・ミッチェル のライブ映像作品で、「ミンガス・ツアー」中の1979年9月にカリフォルニア "Santa Barbara County Bowl" で収録された映像及び音源が使用され ...
October 24, 1980. Electric keyboard lines slowly rise in harmonic layers through spatterings of applause, then Joni Mitchell's silken soprano coos, "Every picture has its shadows/And it has some source of light." The Persuasions chime in, "Blindness, blindness and sight." Applause bursts forward then quickly fades as an eerie keyboard pattern ...
November 13, 1980. The extraordinary power of SHADOWS AND LIGHT, one of a handful of great live rock albums, took me by surprise, since Joni Mitchell is primarily a studio artist, not a concert performer. her earlier live set, MILES OF AISLES (1974), caught her at an insecure moment when she'd barely begun to explore jazz with hornman Tom Scott.
