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Don Randi, the pianist who played on hundreds of sessions with Hal, was among the guests at the birthday party. “Hal didn’t want it to be a drummerfest,” he recalls. It wasn’t, but a few got up to play. David Goodstein, who is Dolly Parton’s drummer, played after performing with Dolly at the Grammys earlier that night.
13 de abr. de 2024 · "We got the job done, and we made a hell of a lot of money doing it": Words of wisdom from Wrecking Crew legend Hal Blaine, ... ‘Strangers In The Night’. Guess what the beat was that I played to it? ‘Boom, boom-boom, bop’. It was a Number One record as well as a Grammy award winner! But it was the same beat.
Descrizione Registrazione. Cooke e la sua band di accompagnamento in studio formata dal pianista Ray Johnson, dall'organista Billy Preston (all'epoca solo sedicenne), dal chitarrista Barney Kessell, dai batteristi Ed Hall e Hal Blaine, dai bassisti Cliff Hils e Clif White, e dal chitarrista ritmico René Hall, incisero Night Beat in tre giorni nel corso di lunghe sessioni notturne presso gli ...
19 de jul. de 2005 · MD: How did you come up with the famous “on the 4” beat for the Ronettes’ “Be My Baby”? Hal: Well, I keep saying I’m not positive about that. It’s a very strange thing. It was unintentional. It’s possible that I was playing it straight 2 and 4, and at one point, maybe when we started rolling, on the first or second take I may have accidentally missed that second beat, so I ...
12 de mar. de 2019 · Published 9:25 AM PDT, March 12, 2019. LOS ANGELES (AP) — Hal Blaine, the Hall of Fame session drummer and virtual one-man soundtrack of the 1960s and ‘70s who played on the songs of Frank Sinatra, Elvis Presley and the Beach Boys and laid down one of music’s most memorable opening riffs on the Ronettes’ “Be My Baby,” died Monday.
"I lived at the Majestic Hotel in Chicago, and we played music every night, seven days a week from 8 p.m. to 4 a.m. It was nothing but hookers, strippers and gangsters. I was lucky to survive." Beat of a Generation It's almost impossible to listen to a classic rock radio station for more than a few minutes without hearing Hal Blaine on drums.
The results are wonderful -- except for his early Soul Stirrers sides, Night Beat is the best place to marvel at one of the two or three best voices of the century. The songs are intimate blues, most taken at the pace of a late-night stroll, but despite the dark shading and heart-rending tempos, Cooke 's voice is so transcendent it's difficult ...
