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17 de nov. de 2017 · The Wizard channel more 70s horror movie inflected doom and gloom here. Nothing groundbreaking, but if you've dug the last few, you'll love it. This one feels almost short at 42 minutes and has a much more focused sound than its predecessor.
9 de oct. de 2017 · The same, however, cannot be said for Electric Wizard. After some largely middle-of-the-road LPs – 2007’s Witchcult Today and 2010’s Black Masses – the band returned in 2014 with original drummer Mark Greening and released the brilliant Time To Die, their best album since 2000’s genre-classic Dopethrone. But it couldn’t last.
12 de oct. de 2017 · Dorset, England's Electric Wizard sit at the pinnacle of the doom-metal movement, having released classic efforts like Dopethrone that helped shape the genre while still staying relevant and pushing the music forward to this day. Founded nearly 25 years ago, and guided through that time by vocalist/guitarist Jus Oborn's singular vision, the riff-heavy band has stayed close to its original ...
Doch immer langsam mit vorschnellen Urteilen: Das neunte Studioalbum der englischen Doom-Urgesteine Electric Wizard sieht zwar grauenerregend aus, bietet glücklicherweise aber akustisch allen Grund zur Entwarnung. Wobei so manch alter Fan der Band seine liebe Mühe mit dem Werk haben dürfte. Denn "Wizard bloody wizard" ist ekelhaft geworden.
17 de nov. de 2017 · Guitar, Vocals – Jus Oborn. Management – Mark Lewis (28) Mastered By – Simon Heyworth. Mixed By – Jus Oborn. Music By – Electric Wizard (2) Photography By [Live Photo] – Miguel Pinheiro (2) Producer – Jus Oborn, Liz Buckingham. Technician – Chris Fielding.
5 de ene. de 2018 · published 5 January 2018. Classic Rock goes off the grid to track down Electric Wizard, who tell us about swapping doom for Detroit, geese attacks, utopian nightmares and the weirdness of Wimborne. If you’re off to see the Wizard, you’d better take a bloody good map. Despite marking a quarter of a century as the UK’s premier doom-metal ...
30 de nov. de 2017 · Electric Wizard needed to change after 2014’s Time to Die. It wasn’t a bad album, but the drama behind the scenes made the already phoned in music even more of a bitter pill to swallow for some. The band itself seems to have acknowledged this fumble in a way, referring to the album as a funeral for their old style and prophesizing a new direction with a more stable lineup.
