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  1. The “secret of form” in the music dramas of Richard Wagner, a secret whose existence was announced and solution promised in the title of Alfred Lorenz’s tetralogy that appeared between 1924 and 1933, remains unsolved.¹ But if we rightly feel to be closer today to its solution than Lorenz ever got, this is surely due to Carl Dahlhaus’s ...

  2. Nietzsche a Cosima destruidas, probablemente, por su hija Eva Wagner, después de la publicación de los escritos de Nietzsche contra Wagner, aunque la propia Cosima para justificar tal destrucción ante la hermana de Nietzsche, Elisabeth, le confesaba que en Wahnfried se destruía siempre toda correspondencia1.

  3. A letter of October 8, 1868, to a friend and fellow student, Erwin Rohde, shows that from the start Nietzsche associated the two: “In Wagner, as in Schopenhauer, I like the ethical air, the Faustian odor, Cross, Death, Grave, and so on.” 5 Close When on November 8, 1868, Nietzsche met Wagner personally for the first time, they had “a longish conversation … about Schopenhauer,” as he ...

  4. 15 de nov. de 2016 · Abstract. The book centers on the four music dramas ( Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal) Wagner created in the second half of his career. Two aims are pursued here: first, to penetrate the “secret” of large-scale form in Wagner’s music dramas, the secret the very existence of which ...

  5. The year 1888 marked the last year of Friedrich Nietzsche's intellectual career and the culmination of his philosophical development. In that final productive year, he worked on six books, all of which are now, for the first time, presented in English in a single volume. Together these new translations provide a fundamental and complete introduction to Nietzsche's mature thought and to the ...

  6. 21 de abr. de 2015 · Nietzsche wrote the rough draft of The Case of Wagner in Turin, during the month of May 1888; he completed it in Sils Maria towards the end of June of the same year, and it was published in the following autumn. Nietzsche contra Wagner was written about the middle of December 1888; but, although it…

  7. NIETZSCHE CONTRA WAGNER Fundamentos estéticos y metafísicos de un problema musical Por LEOPOLDO EDGARDO TILLERIA AQUEVEQUE Tesis de grado presentada a la Escuela de Postgrado de la Facultad de Filosofía y Humanidades de la Universidad de Chile para optar el grado de Magíster en Filosofía, mención axiología y filosofía política.