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  1. 17 de ene. de 2024 · 'Court And Spark' Track-By-Track: A Guide To Every Song On The Album. Court And Spark. This intimate, piano-led beginning to Court And Spark almost harks back to a world Mitchell was about to leave behind for good: the prairie lily on the cover of her second album, Clouds; the ladies of the canyon, the circle

  2. POP · 1974. Preview. Court and Spark sits halfway between Joni Mitchell’s folkie past and her jazz-rock future. Yet the album is no mere transitional affair—not by a long shot. On “Help Me” and “Just Like This Train”, she displays a master’s touch, weaving romantic insecurities into arrangements that, decades later, haven’t ...

  3. Court and Spark Lyrics. [Verse 1] Love came to my door with a sleeping roll and a madman's soul. He thought for sure I'd seen him. Dancing up a river in the dark. Looking for a woman to court and ...

  4. Points of interest include the 3 against 4 rhythms between the hands, the parallel (not relative) major/minor tonalities of E and E minor (by now a familiar feature of Joni's composing, as well as Paul McCartney's incidentally) and the frequent use of suspended "chords of inquiry," as she called them. Dave Blackburn. beatntrack@att.net.

  5. 17 de ene. de 1974 · POP · 1974. Preview. Court and Spark sits halfway between Joni Mitchell’s folkie past and her jazz-rock future. Yet the album is no mere transitional affair—not by a long shot. On “Help Me” and “Just Like This Train”, she displays a master’s touch, weaving romantic insecurities into arrangements that, decades later, haven’t ...

  6. And a madman's soul. He thought for sure I'd seen him. Dancing up a river in the dark. Looking for a woman. To court and spark. He was playing on the sidewalk. For passing change. When something strange happened. Glory train passed through him.

  7. 7 de nov. de 2022 · Joni Mitchell’s first studio album of the 80s was certainly a product of that decade; Mitchell did not believe in hanging on to the past. For the self-portrait she used as its cover she poses in a very 80s-era jacket, with the natural world (a feature of many Joni Mitchell paintings) reduced to an image of horses on the television she leans against.