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19 de sept. de 2018 · Court and Spark is the sixth studio album by Canadian singer-songwriter Joni Mitchell. It was an immediate commercial and critical success—and remains her most successful album. Released in January 1974, it infuses her folk rock style, which she developed throughout her previous five albums, with jazz inflections.
18 de ene. de 2024 · Also vital to Court and Spark were members of the Crusaders: keyboardist Joe Sample, guitarist Larry Carlton, bassist Wilton Felder. Joni Mitchell Court and Spark, Asylum Records 1974 Not that there weren’t non-jazzers on the album: The Band’s Robbie Robertson unleashes a fiery guitar solo on the first single, “Raised on Robbery,” and David Crosby and Graham Nash contribute some ...
Court and Spark er Joni Mitchells sjette album fra 1974 og hendes kommercielt mest succesfulde album, der nåede 2.-pladsen på Billboard-listen. ... John Guerin (trommer), Larry Carlton (el-guitar), Chuck Findley (trompet), Milt Holland (klokkespil) og Tom Scott (træblæsere).
US. 1974. Recently Edited. Court And Spark ( LP, Album, Gatefold sleeve) Asylum Records. K 53002. Italy. 1974. View credits, reviews, tracks and shop for the 1974 Vinyl release of "Court And Spark" on Discogs.
Larry Carlton (in 1973) vocals: Joni Mitchell (in 1973) phonographic copyright (℗) by: Asylum Records (Warner Music subsidiary) (in 1974) recorded at: A&M Studios in Hollywood, Los Angeles, California, United States (in 1973) recording of: Court and Spark (in 1973) lyricist and composer: Joni Mitchell publisher: Crazy Crow Music
1 de nov. de 2010 · Joni Mitchell’s move to jazz on this 1974 game changer upset her hippie contingent, who wished she’d remained a “lady of the canyon,” and it didn’t exactly thrill fans who considered themselves jazz aficionados either—not with the likes of “jazz-lite” guys like Tom Scott, Joe Sample, Wilton Felder and Larry Carlton involved.
Court And Spark is the sixth studio album by Canadian singer-songwriter Joni Mitchell. It was an immediate commercial and critical success—and remains her most successful album. Released in January 1974, it has been described as pop, but also infuses Mitchell's folk rock style, which she had developed through her previous five albums, with jazz inflections.
