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  1. Hace 3 días · Self Portrait (1984) is a self-referential portrait by Jean-Michel Basquiat exploring his identity as an African American man faced with racial injustices. Apart from the continuous struggle for equilibrium, he also explores the victories of black personalities. Let’s look at the aim of the painting and the themes brought to life by the self ...

  2. Hace 3 días · Description. The paining is an acrylic on canvas project which has a size of 180 centimetres by 260.5 centimetres. The center of the canvas is dominated by a large dark figure with thin, stick-like arms outstretched. The head is 'enlarged' and out of scale of the rest of the body. The left hand appears to be holding a paint roller, the right ...

  3. Hace 3 días · Untitled II (1982) * As an Amazon Associate, and partner with Google Adsense and Ezoic, I earn from qualifying purchases. Untitled II 1982 is an acrylic painting on canvas painting that Jean-Michel Basquiat did in 1982. The American painter later sold the artwork to a Japanese billionaire called YusakuMaezawa at a whopping $110.5 million.

  4. Hace 2 días · Basquiat's paintings often bear signs of his early days as a street artist, working at speed and in secrecy. While his canvases, such as this one: Red Man, which measures just over two metres on either side (204.5m x 210.8m) no longer demanded the stealth or speed of his early days, he still worked at a frenetic pace, committing his mind vision ...

  5. Hace 1 día · Jean-Michel Basquiat is iconic for two reasons which amount to the same thing: he was a black artist and he painted in a way that recognised and popularised black heritage in art. Part of the 1970s-80s Neo-Expressionist art movement, Basquiat's paintings are full of frenetic but also very directed energy and vivid simple colours.

  6. Hace 4 días · King Alphonso, as in a number of other works by this influential artist, features Basquiat’s famous three-pronged crown towering over a stylized reggae-type, Afro-American visage. Basquiat’s extensive use of crowns has been suggested by art critics as revealing of his awareness, even as a youngster, of his future destiny for greatness.

  7. Hace 4 días · Without any hesitation, Charles the First, 1982, captures Jean-Michel's message in a stunning manner that is more than captivating. In today's modern world, it depicts topics that the neo-expressionist feels are worth learning about. Charles the First seems to be another instrument used by the artist to speak about the challenges and ...