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Joan Miró. 1893 - 1983. Sans titre. signed Miro (lower right), dated 16/7/57 and inscribed Galerie Mallorca (upper centre), and indistinctly inscribed (lower centre) coloured pencils on paper. 27.6 by 21.7cm., 10⅞ by 8½in. Framed: 50.7 by 43.9cm., 20 by 17¼in. Executed on 16th July 1957. ADOM has confirmed the authenticity of this work.
Joan Miró i Ferrà (Barcelona, 20 de abril de 1893-Palma de Mallorca, 25 de diciembre de 1983) fue un pintor, escultor, grabador y ceramista español.En sus obras reflejó su interés por el subconsciente de lo «infantil» y en la cultura y tradiciones de Cataluña.Aunque se le asocia al arte abstracto por su estilo maduro de formas estilizadas e imaginarias, en su juventud se inició en la ...
JOAN MIRÓ (1893-1983) Sans titre signed 'Miró.' (lower centre) oil and gouache over monotype on paper 18 7/8 x 22 5/8 in. (48 x 57.5 cm.) Executed in 1977. ... Executed just six years before his death, the present work by Joan Miró demonstrates the fullest development of his own personal style.
JOAN MIRÓ (1893-1983) Sans titre signed and dated 'Joan Miró. 15/2/34.’ (on the reverse) watercolor, pastel and brush and India ink on paper 25 1/8 x 18 3/8 in. (63.9 x 46.7 cm.) ... Executed in 1934, during one of the most creative and interesting periods of Miró’s artistic career, ...
Joan Miró : la colección del centro Georges Pompidou, Musée national d''art moderne y otras colecciones : Mexico : Centro cultural arte contemporáneo, 12 février-24 mai1998 (cat. n° 20 cit. p. 136, 139-139 et reprod. coul. p. 137) .
Miró's most famous monumental works are the two ceramic walls (1957-1959), Night and Day, for the UNESCO building in Paris, executed with Artigas; the mural painting (1950) and the ceramic mural (1960) for Harvard University, Cambridge, Massachusetts; and the ceramic mural (1967) for the Guggenheim Museum in New York City.
Bleu II. 04 mars 1961. Two principles are contrasted here: the meditative character specific to contemplation and the tumult of human passions. Set on the uniform blue background, a motif of twelve round shapes occupies the middle part of the composition. The large red scar that crosses the space from top to bottom like a stab disturbs the ...
