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Actualmente, son pocas las pinturas que se conservan de él, puesto que si no le gustaban sus cuadros los destruía, o si alguien hacia un comentario que no le gustaba, es así que él mismo destruyó gran parte de sus obras. Chaim Soutine (1894-1943 ) Pintor expresionista, nacido en Lituania (entonces Rusia).
Chaim Soutine : Ein französischer Expressionist - Jüdisches Museum - Allemagne, Francfort-sur-le-Main, 2000 Renoir to Picasso : Masterpieces from the Musée de l'Orangerie - Queensland Art Gallery ... Obres mestres del Musée de l'Orangerie, ...
Soutine grew up poor in a small Lithuanian town and continued to struggle as a starving artist in Paris. His years of deprivation gave him stomach ulcers, so he abstained from meat and other rich foods. Beginning to achieve success as an artist, he found himself, ironically, buying meat—but not to eat. He expressed his ambivalent relationship to food through paintings of butchered animals ...
Order Oil Paintingreproduction. Chaïm Soutine (13 January 1893 – 9 August 1943) was a Russian-French painter of Jewish origin. Soutine made a major contribution to the expressionist movement while living in Paris. Inspired by classic painting in the European tradition, exemplified by the works of Rembrandt, Chardin and Courbet, Soutine ...
Chaïm Soutine 1893-1943. Chaïm Soutine was born to a poor Jewish family, the tenth of eleven children, in the shtetl of Smilovitz, Russia (now Lithuania) on 13 January 1893, and drew from an early age. He studied at the School of Fine Arts, Vilna (1910-13), and in the Atelier Cormon at the École des Beaux-Arts, Paris (1913–15), becoming ...
En Francia el más destacado de los pintores expresionistas de esa época fue sin duda Chaim Soutine. Soutine no era francés, nació en Smilóvichi, una ciudad de la provincia de Minsk en la actual Bielorrusia en 1893. ... de quienes seguramente había visto muchas de sus obras. Soutine, que era la versión francesa de su apellido, ...
Maurice Tuchman in Chaim Soutine, 1893–1943. Exh. cat., Royal Scottish Academy, Edinburgh. [London], 1963, p. 24, no. 40, pl. 24, dates it about 1928; notes that this picture is unusual among Soutine's portraits because of the sophistication and "nervous grace" of the sitter, adding that it is the only Soutine portrait that depicts the sitter smoking.
