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4 de oct. de 2018 · Rachel Whiteread’s 2002 work “Untitled (Domestic)” at the National Gallery of Art. She casts negative space inside or surrounding her subjects — in this case, the area around a fire escape ...
16 de abr. de 2018 · Tate Britain removed interior walls for its recent Rachel Whiteread retrospective, creating an open 1,500- square-meter space—an unusual modification that allowed all of the sculptures to be viewed with a single sweep of the eyes. A mesmerizing quietude pervaded the space— individual pieces, sedate and pale, appeared to evaporate into their ...
21 de mar. de 2023 · At Luhring Augustine, New York, the sculptor's embalmed everyday objects memorialize both personal and collective transformation. Rachel Whiteread’s alchemy turns absence into presence, refuse into potent symbolism. For her eponymous solo show at Luhring Augustine Tribeca, the artist presents a new body of work produced over the past three ...
12 de sept. de 2017 · Celebrating over 25 years of Rachel Whiteread’s internationally acclaimed sculpture. One of Britain’s leading contemporary artists, Whiteread uses industrial materials such as plaster, concrete, resin, rubber and metal to cast everyday objects and architectural space. Her evocative sculptures range from the intimate to the monumental.
7 de mar. de 2013 · Nacida en Londres en 1963, Rachel Whiteread es una de las grandes escultoras de un país de gran tradición escultórica. Destaca por una larga serie de proyectos como Ghost en el Fourth Plynth de Trafalgar Square, House, por el que ganó el premio Turner en 1993 o el Monumento al Holocausto en Viena. En 1997 representó a Gran Bretaña en ...
Order Oil Paintingreproduction. Rachel Whiteread, CBE (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. She was the first woman to win the annual Turner Prize in 1993. Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997.
Rachel Whiteread’s US Embassy (Flat pack house) was unveiled in its permanent home at the new American embassy in Nine Elms, London, in early 2018. Virginia Shore, the curator for the London embassy project who worked with Whiteread to realize this site-specific commission, reflects on the history of prefabricated housing, the power of “home,” and the connecting force of art.
