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"Kerry James Marshall: Mastry," April 23–September 25, ... 1995. Our Town. Kerry James Marshall (American, born Birmingham, Alabama, 1955) 1995. Modern and Contemporary Art at The Met
11 de mar. de 2017 · The boy on the bicycle looks back at the girl running along; she produces a thought bubble, but there is nothing to read there. The dog seems to be snarling. All is not well in this planned paradise. Our Town is part of a suite of paintings Marshall produced during the mid-1990s that sits at the heart of the exhibition of his work, "Kerry James ...
19 de ago. de 2022 · A conversation with Alejo Benedetti, Associate Curator of Contemporary Art, Crystal Bridges Museum of American Art, and Beth Harris in front of Kerry James M...
31 de mar. de 2020 · Kerry James Marshall creates paintings where observing the details are critical. “Our Town“, a 1995 painting by the artist, showcases the scene of a 1950s neighbourhood. It contains visuals of a young boy riding his bike on a line along with his sister, and a dog.
Our Town 1995. by Kerry James Marshall. Acrylic and collage on canvas. Credit: Image may be subject to copyright. Created by. Kerry James Marshall Artist (United States) Follow 3 followers. Belongs to. Crystal Bridges Museum of American Art Museum (United States) Follow 3 followers. Contributed by.
24 de mar. de 2020 · DETAILS ARE CRITICAL in Kerry James Marshall‘s paintings.In “Our Town” (1995), the artist portrays a pleasant 1950s-era residential neighborhood. A young boy bikes down a vehicle-free lane with his sister and their dog running alongside him. Wearing an apron, their mother can be seen in the distant background waving from the walkway of a large suburban home with an above-ground pool and ...
8 de dic. de 2013 · This exhibition is no longer on view at the National Gallery. One of the most celebrated painters currently working in the United States, Kerry James Marshall (b. 1955) has exhibited widely in both this country and around the world. His work explores the experiences of African Americans and the narratives of American history that have often excluded black people.
