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30 de ago. de 2019 · A pent-up licentiousness is palpable in her prose, as if cinema is her great aphrodisiac. Kael’s essay “Movies, The Desperate Art” begins: “The film critic in the United States is in a curious position: the greater his interest in the film medium, the more enraged and negative he is likely to sound . . . A few writers, and not Americans ...
17 de mar. de 2010 · In the late sixties, Pauline Kael’s exhilarating review of “Bonnie and Clyde” burst upon the scene, announcing a revolution in cinematic taste. Arthur Penn’s 1967 film, ...
11 de may. de 2017 · May 11, 2017. The director-hero of 8½ is the center of the film universe, the creator on whose word everything waits, the man sought after by everyone, the one for whom all possibilities are open. by Pauline Kael. Some years ago a handsome, narcissistic actor who was entertaining me with stories about his love affairs with various ladies and ...
3 de nov. de 2011 · To quote the immortal title of her 1965 collection of movie reviews, Pauline Kael may have "lost it at the movies," but she infinitely renewed her wide-eyed wonder as a moviegoer in her essays for ...
13 de dic. de 2019 · Steven Spielberg sent a telegram to New Yorker film critic Pauline Kael to tell her that she was the only critic who understood "Jaws." George Roy Hill, furious about her review of "Butch Cassidy and the Sundance Kid" began his letter to her, "Listen, you miserable bitch." Ridley Scott was so shaken by a Kael comment he said he never read another review—from anyone.
30 de jun. de 2017 · June 30, 2017. Pauline Kael reviews "Planet of the Apes", a 1968 science fiction film directed by Franklin J. Schaffner. Published in 'The New Yorker', February 17,1968. by Pauline Kael. Planet of the Apes is a very entertaining movie, and you’d better go see it quickly, before your friends take the edge off it by telling you all about it.
5 de ene. de 2017 · Pauline Kael’s infamous review of '2001: A Space Odyssey', where she referred to the movie as “trash masquerading as art” and “monumentally unimaginative.”. by Pauline Kael. The new tribalism in the age of the media is not necessarily the enemy of commercialism; it is a direct outgrowth of commercialism and its ally, perhaps even its ...
