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  1. 24 de abr. de 2021 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.

  2. 22 de abr. de 2021 · The griot master and one-man orchestra Toumani Diabaté is a celebrated koro virtuoso, capable of playing in any style. Indeed, the musican has shown over the years, through the plurality and the excellence of his collaborations, that his instrument is fully capable of being in harmony with other traditions as well as open to new innovations.

  3. 5 de may. de 2023 · "A la découverte de la Kora véritable "emblème de la culture mandingue" - AFRIQUE" Toumani Diabaté parle de la kora "La kora, elle est partout, aujourd'hui" Amenohtep Ballaké Sissoko, kora, Vincent Segal, violoncelle, Vincent Peirani, accordéon, Emile Parisien, saxophone soprano No Format. Hector Berlioz (1803-1869) / arrangement Vincent ...

  4. New Ancient Strings (French: Nouvelles cordes anciennes) is a studio album by the Malian musicians Toumani Diabaté and Ballaké Sissoko, released on 22 June 1999 by the British label Hannibal Records.The album comprises eight instrumental duets composed by Diabaté for kora, a stringed instrument of West African music.Diabaté and Sissoko are esteemed as the best and the second-best kora ...

  5. Toumani Diabaté is one the most brilliant players of the kora (a 21 string harp lute from West Africa). He was born in 1965 in Bamako into a great kora playing family. His father, the late Sidiki Diabaté, was known throughout West Africa as the king of the kora. Sidiki Diabaté raised the instrument from being a simple djeli accompaniment instrument to the rank of solo performer.

  6. 4 de ago. de 2016 · Toumani Diabate is one the most brilliant players of the kora (a 21-string harp-lute from West Africa). He was born in 1965 in Bamako into a great kora playing family – his father, the late Sidiki Diabate, was known throughout West Africa as the king of the kora. Sidiki Diabaté, raised the instrument from being a simple jali accompaniment ...

  7. Les traditionalistes s’offusquent en effet de voir "ce que fait Toumani à la kora". Lui, poursuit inlassablement sa quête d’ouverture et multiplie les métissages. Seule condition : ne pas toucher à l’instrument et à ses 21 cordes. Il devient l’ambassadeur international de la kora, avec en 1991 un concert en forme de choc au Japon.