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Jean-Michel Basquiat, Untitled, 1980-81. acrylic, oil, oilstick, ink, wax crayon and paper collage on metal. 36 x 41 ½in. (91.4 x 105.4cm.) The background of Untitled is painted gold, giving the salvaged support an aspect of Byzantine icon; a broad swathe of black consumes the centre, and a jagged section of pale blue covers the right.
A lo largo de su corta pero intensa trayectoria, Basquiat realizó más de 600 obras. Hemos seleccionado algunas de las más importantes para explicar su (posible) significado. Ironía de policía negro – 1981 . Esta obra es descrita como una mezcla de grafiti y expresionismo.
En 1981, René Ricard publie un article élogieux intitulé The Radiant Child (l'enfant radieux) dans le magazine Artforum, propulsant la carrière de Basquiat. La galeriste Annina Nosei [ 18 ] lui propose de s'installer dans le sous-sol de la galerie, le finance pour qu'il achète des toiles grand format, et organise sa première exposition personnelle à New York.
signed and dated ‘Jean-Michel Basquiat 1982’ (on the reverse) acrylic, oilstick and spray paint on wood panel. 72 x 48 in. (183 x 122 cm.) Basquiat’s heroic figure stands firmly in the center of Warrior. With his sword held aloft and his fiery eyes, he commands the space around him. For such an authoritative figure, Basquiat constructs ...
Portrait of A-One A.K.A. King was executed in 1982, during the turning point of Jean-Michel Basquiat’s career. 1982 was a pivotal year for Basquiat, as it marked his transition from the street culture to the fine art world. He also had his first solo show of his career, which earned a lot of accolades from the art community.
Jean-Michel Basquiat’s frenzied and electric Untitled of 1982 depicts one of the artist’s most celebrated themes, rendered in rapid-fire execution in dynamic slashes of red, blue, and black oilstick. The human head is among Basquiat’s most autobiographical subjects, which he obsessively explored particularly during the pivotal year of 1982.
72 x 48in. (183 x 122cm.) Basquiat’s Untitled from 1984 is an outstanding painterly example of the artist’s signature anatomical figure. ncorporating the full range of the artist’s artistic vocabulary, in Untitled we see Basquiat intuitively and poetically juxtapose subject-matter from scientific textbooks and street art, the vibrant ...
