Resultado de búsqueda
3 de may. de 1991 · Jerzy Kosiński. Pisze książki: literatura piękna, biografia, autobiografia, pamiętnik, reportaż, albumy, czasopisma. Urodzony: 14.06.1933 Zmarły: 03.05.1991. Urodzony jako Józef Lewinkopf. Polski pisarz piszący w języku angielskim. Urodził się w Łodzi, jako syn żydowskiego przemysłowca Mojżesza Lewinkopfa. Lata II wojny ...
3 de may. de 1991 · Died. May 03, 1991. Genre. Literature & Fiction. edit data. Kosiński was born Josef Lewinkopf to Jewish parents in Łódź, Poland. As a child during World War II, he lived in central Poland under a false identity his father gave him to use, Jerzy Kosiński. A Roman Catholic priest issued him a forged baptismal certificate.
10 de oct. de 2011 · Jerzy Kosinski, der diesen entsetzenden Roman geschrieben hat, erzählt darin nach eigenen Angaben seine Lebensgeschichte. 1965 erschien es zum ersten Mal in New York – und wurde unter anderem ...
Jerzy Kosiński (14 Haziran 1933 – 3 Mayıs 1991) Musevi ve Polonya asıllı, Amerikalı yazar Polonya'nın ikinci büyük şehri Łódź'da doğdu. II. Dünya Savaşı sırasındaki bir çocukken, Doğu Polonya'da Katolik bir Polonyalı ailenin yanına sahte bir kimlikle sığındı. Bir Katolik rahibi sahte bir vaftiz sertifikası çıkarmıştı, savaş sırasında Polonya Katolik ...
Jerzy Kosiński, ursprungligen Józef Lewinkopf, född 14 juni 1933 i Łódź i Polen, död 3 maj 1991 på Manhattan i New York, var en polsk-amerikansk författare. Jerzy Kosiński är framförallt känd för romanerna Den målade fågeln ( The Painted Bird , 1965) och Finnas till ( Being There , 1970).
The Painted Bird is a 1965 novel by Jerzy Kosiński that describes World War II as seen by a boy, considered a "Gypsy or Jewish stray," wandering about small villages scattered around an unspecified country in Central and Eastern Europe (usually assumed to be Poland).. The story was originally described by Kosiński as autobiographical, but upon its publication by Houghton Mifflin he announced ...
Jerzy Kosinski, ca. 1973. Photograph by Rob Mieremet . Editor’s Note: The following conversation with Jerzy Kosinski, which does not contain the customary interviewer’s headnote, is a much expanded version of the one that appeared in The Paris Review in 1972.At that time Mr. Kosinski was traveling abroad and could not be reached when the transcribed text, prepared by interviewers Rocco ...
