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  1. 15 de jul. de 2015 · Beerbohm was usually at his best at about 1,200 words. I soon settled in, though, and this book began to deliver deep pleasures. As curmudgeons go, Beerbohm was a gentle and self-effacing one.

  2. 23 de jun. de 2014 · The 100 best novels: No 40 – Zuleika Dobson by Max Beerbohm (1911) Zuleika Dobson is a brilliant Edwardian satire on Oxford life by one of English literature's most glittering wits that now ...

  3. 27 de abr. de 2016 · Max Beerbohm's favorite (and not-so-favorite) authors; Mocking the Victorian Sages: Beerbohm, Carlyle, and Ruskin; Beerbohm and the Sage's Ethos; The Mock-Sage Mocks: Parodying the Aesthetes and Decadents. Visual arts. Sitemap; William Rothenstein's lithographic portrait, 1893; Joseph Simpson's caricature; Kathleen Shackleton's crayon portrait ...

  4. Rossetti and His Circle is a book of twenty-three caricatures by English caricaturist, essayist and parodist Max Beerbohm.Published in 1922 by William Heinemann, the drawings were Beerbohm's humorous imaginings concerning the life of Dante Gabriel Rossetti and his fellow Pre-Raphaelites, the period, as he put it, "just before oneself." The book is now considered one of Beerbohm's masterpieces.

  5. Writer and caricaturist Sir Henry Maximilian 'Max' Beerbohm was an English essayist, parodist, and caricaturist under the signature 'Max'. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the Saturday Review from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best ...

  6. 1 de ene. de 2002 · Max Beerbohm was widely celebrated as the wittiest mind of his age. And it was a very long age indeed: he became famous in the mid-1890s and remained so until his death in 1956. His wit manifested itself in both prose and caricature, and his writings and drawings are keenly interesting. Max's life, however, was relatively uneventful, and of interest, he said, only to himself.

  7. Seven Men es el título de una colección de cinco historias cortas, protagonizadas por seis personajes masculinos, que fue publicada en 1919 por el crítico, caricaturista y escritor londinense Max Beerbohm (1872-1956). El séptimo hombre al que alude el título de la colección sería el propio Beerbohm, quien interviene en las historias, incluso como narrador, e interactua con sus héroes.