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  1. 1 de dic. de 2005 · ISBN 1 85177 428 9. ‘Christopher Dresser was a pioneer in his field—the reshaping of British Design in the last century. An exact contemporary of William Morris, Dresser was the first independent industrial designer, embracing the machine as a means to raise standards of design for the mass market. He was in effect the inventor of the ...

  2. 5 de abr. de 2018 · 克里斯托弗·德莱赛(Christopher Dresser,1834年7月4日-1904年11月24日),是19世纪下半叶的英国 设计师和设计理论家,被广泛认为是世界第一位独立设计师,同时亦是唯美主义,英国-日本风格和现代英式风格的重要人物。. 个人简历 [编辑]. 德莱赛出生于大不列颠岛 格拉斯哥 约克郡的一个家庭,在13岁 ...

  3. Christopher Dresser (1834-1904) was born in Glasgow, Scotland in 1834. In 1847, his parents enrolled him, at age 13, in the recently established Government School of Design at Somerset House in central London to study applied design and botany, his first love. He came under the influence of Owen Jones, an exceptional designer, and a noted ...

  4. 22 de ago. de 2014 · Christopher Dresser (1834-1904) Benham & Froud, Jardinière, c. 1880 Copper, brass and plated metal. His career was built on designing for an expanding professional class consumer market and he achieved critical success in 1899 when Studio magazine described him as, ‘Perhaps the greatest of commercial designers, imposing his ...

  5. Christopher Dresser (* 4. Juli 1834 in Glasgow; † 24. November 1904 in Mülhausen) war ein britischer Designer. Dresser gilt als der erste professionelle unabhängige Industriedesigner Großbritanniens und wird heute – neben William Morris – als ein Pionier des Jugendstils betrachtet.

  6. Christopher Dresser fue un diseñador y escritor sobre diseño. Actualmente conocido como el primer diseñador industrial británico independiente. Contribuyó al Aesthetic Movement y se vio ligado al movimiento de Arts and Crafts. Colaboró con algunas láminas al Grammar de Owen Jones, en la que se muestran motivos florales con nítidos perfiles.

  7. Christopher Dresser was a British designer and design theorist, now widely known as one of the first and most important, independent designers. He was a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese or Modern Style (British Art Nouveau style), both of which originated in England and had long-lasting international influence.