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  1. 8 de abr. de 2015 · The Auteurs se crearon un poco como vacuna cultural. Yo no escuchaba música contemporánea, surgimos del aislamiento, sin ninguna influencia de las bandas británicas del momento. Sumarnos a todo aquello del brit-pop habría sido contraproducente para nosotros en términos artísticos” [6] .

  2. The Auteurs在1992年11月与Hut唱片签约,并发行了乐队历史上第一张EP《Showgirl》,一个月之后又发行了第一张专辑《New Wave》。. 英国媒体把他们与广为流传的Suede一起划为“glam复兴”。. 乐队像Suede一样,在音乐中充满着绚烂的吉他伴奏,然而the Auteurs从一些独特的 ...

  3. How I Learned to Love the Bootboys is the fourth and final album by British rock band the Auteurs.It was released on 5 July 1999 through Hut and Virgin Records.Following their third studio album After Murder Park (1996), Haines started the Baader Meinhof and Black Box Recorder projects. He regrouped with the Auteurs to start work on a concept album under the name ESP Kids, though sessions ...

  4. 26 de feb. de 2017 · The Auteurs was a British alternative rock band of the 1990s. Unfairly dismissed as the egotrip of acclaimed songwriter Luke Haines, The Auteurs were one of the unsung bands of the mid-nineties Britpop movement. Releasing their first record, New Wave, in 1993, the Auteurs were compared to Suede, and the resurgent glam-rock movement, and began to amass a reasonable cult following. 1994's second ...

  5. The Auteurs discography and songs: Music profile for The Auteurs, formed 1992. Genres: Britpop, Indie Rock, Indie Pop. Albums include New Wave, Now I'm a Cowboy, and After Murder Park.

  6. 13 de dic. de 2022 · The Auteurs released four ‘proper’ studio albums: New Wave (1993), Now I’m A Cowboy (1994), After Murder Park (1996) and How I Learned to Love The Bootboys (1999) – all excellent – with each charting slightly lower than its predecessor in the UK, as Haines reacted to the commercial opportunities presented by Britpop, by digging his heels in and writing songs about child murder and ...

  7. 8 de feb. de 2004 · His Auteurs albums, especially the sophomore Now I'm a Cowboy, did make pleasant use of strings, but the arrangements were never allowed to overtake the laconic lead melodies.