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Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and its tectonically shifting arts culture of the late 1970s and '80s shaped ...
It's a valuable insider's view: steeped in history, but shorn of nostalgia. Full Review | Original Score: 4/5 | Jul 14, 2018. Lee Jutton Film Inquiry. Boom for Real benefits from Driver's intimate ...
After first becoming familiar with Jean-Michel Basquiat's artistry via Julian Schnabel's 1996 film, I've seen a number of Basquiat's works in various art museums around the world. Although I'm primarily a fan of the Impressionists and post-Impressionists, I do have a fondness for Basquiat's originality.
11 de may. de 2018 · The title of Sara Driver ’s documentary, “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,” is misleading at best. It suggests a character portrait focusing on a specific chapter in the life of its titular icon, yet never quite delivers on that promise. Basquiat, the enigmatic street artist whose work achieved enormous ...
10 de sept. de 2017 · Sara Driver, too long absent from the directing chair, returns with 'Boom for Real,' a transporting doc about the early career of Jean-Michel Basquiat and the environment where he flourished.
BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT follows Basquiat's life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never- before-seen works, writings and photographs, director Sara Driver, who was part of the New York arts scene herself, worked closely ...
11 de may. de 2018 · Boom for Real: The Late Teenage Years of Jean-Michel Basquiat follows Basquiat's life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never-before-seen works, writings and photographs, director Sara Driver, who was part of the New York arts scene herself, worked closely and collaboratively with friends and other artists ...
