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  1. Loïe Fuller and Isadora Duncan. In the 1890s Loïe Fuller created an extraordinary sensation in Paris with her manipulations of hundreds of yards of silk, swirling high above her and lit dramatically from below. She embodied the fin-de-siècle images of woman as flower, woman as bird, woman as fire, woman as nature.

  2. www.frieze.com › article › serpentine-dancerSerpentine Dancer | Frieze

    In the autumn of 1892, Mary Louise Fuller left New York, where she enjoyed modest success in vaudeville, and travelled to Paris intent on reinvention as a dancer. Loie, as she’d lately begun to style herself, had secured an interview with Édouard Marchand, director of the Folies Bergère: she planned to perform for him a ‘Serpentine Dance ...

  3. Loie Fuller (1862 - 1928) fue una de los artistas de la danza más innovadoras del siglo XX. Su trabajo no sólo influyó en los futuros artistas de la danza moderna, como las grandes Isadora Duncan y Martha Graham, si no que también influyó en una larga fila de poetas, pintores, escultores e intelectuales. Loie Fuller revolucionó la danza ...

  4. Obsessed with Light is a meditation on light and the enduring obsession to create. The film pulls back the curtain on Loïe Fuller, a wildly original performer who revolutionized the visual culture of the early 20th century. Creating a dialogue between the past and the present, the documentary delves into the astonishing influence Fuller's work ...

  5. 3 de abr. de 2012 · 150 years after her birth in Fullersburg, Illinois on January 15, 1862, Marie Louise "Loïe" Fuller is less well known than her peers. Yet her work, flowing and abstract and free from the constraints of classical ballet, predated and paved the way for more familiar modern dance pioneers like Isadora Duncan and Ruth St. Denis.. On April 12, the New York Public Library for the Performing Arts ...

  6. 7 de sept. de 2016 · Loie Fuller (1862-1928) in Caprice, a play by Howard P. Taylor, staged at the Royal Globe Theatre in London in 1889. With her silk drapery, Fuller created her first “Serpentine Dance” that became a particular genre and was widely imitated. She was considered a wizardess for her technological and stagecraft innovations.

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