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Niels W. Gade var en dansk komponist, dirigent, organist, pædagog og organisator. Han var en af de betydeligste skikkelser i 1800-tallets danske musikliv. Niels W. Gade repræsenterer dansk musikalsk højromantik. Som eneste barn af en snedker og instrumentmager var Gade oprindelig tiltænkt en løbebane som faderens. Efter en kort tid som lærling opgav han dog håndværket til fordel for ...
The name and personality of Niels Wilhelm Gade are well known among music specialists, but unfortunately largely ignored by the mainstream concert repertoire and its audiences. And this is an unfair and regrettable situation, since Gade is an important figure under both the historical and the artistic viewpoint. Historically, he occupies a prime place in…
Gade, Niels: I-Catalogue Number I-Cat. No. ING 65 Key E major Movements/Sections Mov'ts/Sec's: Allegro grazioso Composer Time Period Comp. Period: Romantic: Piece Style Romantic: Instrumentation piano
Gade, Niels: Opus/Catalogue Number Op./Cat. No. Op.22 I-Catalogue Number I-Cat. No. ING 52 Movements/Sections Mov'ts/Sec's: 3 pieces: Moderato. F major Allegretto. C major Allegro. A minor Year/Date of Composition Y/D of Comp. 1851 June Dedication Johan Peter Emilius Hartmann (1805-1900)
Niels Wilhelm Gade (Kopenhagen 22 februari 1817 – aldaar, 21 december 1890), in zijn land algemeen aangeduid als Niels W. Gade, was een Deens componist, violist en dirigent. Hij trouwde in 1852 met Emma Sophia Hartmann, dochter van de componist Johan Peter Emilius Hartmann (1805-1900) en zuster van de componist Emil Hartmann (1836 ...
Niels W. Gade (1817-1890) blev født i København og var eneste barn af en instrumentmager. Gade fik interesse for musik i værkstedet hos sin far, som også byggede Gades første violin. Selvom forældrene forventede, at Gade skulle blive snedker, accepterede de hans ambition om at blive musiker og sørgede for, at han fik den bedst mulige ...
Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific œuvre has appeared in print. Given this fact and the growing current interest in Gade, there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers.
