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  1. 生活和职业 早些年. 斯科特(Scott)出生於伦敦的汉普斯特德(Hampstead) ,是乔治·吉尔伯特·斯科特(George Gilbert Scott Jr.)和他的妻子艾伦·金·萨姆森(Ellen King Samson)的六个孩子之一,也是第三个儿子。 他的父亲是一位建筑师,他于1874年共同创立了建筑和室内设计公司Watts&Co.。

  2. Giles Gilbert Scott est le créateur des cabines téléphoniques rouges londoniennes. Ces icônes du design du XXe siècle 2, emblématiques de la Grande-Bretagne au même titre que les bus rouges à impériale ou les taxis noirs, ont été dessinées par Giles Gilbert Scott en 1935 à l'occasion du jubilé du couronnement de George V 3.

  3. Originally published in AR October 1940, this piece was republished online in June 2015. These monthly articles are frankly about aesthetic questions. They are written in the belief that the rational and scientific basis of architecture has now been fully re-established by modern architects, and that matters of external appearance are therefore ...

  4. Giles Gilbert Scott (ur. 9 listopada 1880 w Hampstead, zm. 8 lutego 1960 w Londynie) – brytyjski architekt, projektant katedry w Liverpoolu i elektrowni Battersea oraz autor brytyjskich budek telefonicznych.

  5. Sir Giles Gilbert Scott, OM (* 9. November 1880 in Hampstead; † 8. Februar 1960 in London) war ein britischer Architekt. Er ist bekannt für Gebäude wie die Liverpool Cathedral, die Kraftwerke Bankside Power Station und Battersea Power Station oder die Bibliothek der Universität Cambridge.

  6. Two of his sons George Gilbert Scott, Jr. (founder of Watts & Company in 1874) and John Oldrid Scott, and his grandson Giles Gilbert Scott, were also prominent architects. His third son, photographer, Albert Henry Scott (1844–65) died at the age of twenty-one; George Gilbert designed his funerary monument in St Peter's Church, Petersham , whilst he was living at The Manor House at Ham in ...

  7. 1945. Giles Gilbert Scott's Coventry Cathedral Design. By David Lewis, Independent Scholar and Curator. The opening of the 1945 Summer Exhibition roughly corresponded with VE Day, and the objects on display reflected the winding down of war. The Exhibition was dominated by portraits of military figures, and there were some factory views and ...

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