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Renée Soutendijk studierte in Den Haag von 1973 bis 1976 an der Akademie für dramatische Künste die Fächer Gesang, Tanz und Schauspiel. [1] Sie war Anfang der 1980er Jahre die bevorzugte Filmdarstellerin von Paul Verhoeven in den Filmen Spetters – knallhart und romantisch (1980) und Der vierte Mann (1983). Nach einigen weiteren Kinofilmen ...
Renée Soutendijk . Thom Hoffman . Dolf de Vries . Geert de Jong . Hans Veerman . 5 /10 decine21. Crítica El cuarto hombre (1983) El escritor seducido . Gerard Reve, un escritor muy pagado de sí mismo, es invitado a dar una conferencia en una pequeña población.
Renée Soutendijk (folút: Renette Pauline Soutendijk; De Haach, 21 maaie 1957) is in Nederlânsk film-, tillefyzje- en toanielaktrise. Hja waard bekend troch har rol yn 'e film Spetters, fan regisseur Paul Verhoeven en briek troch as Hannie Schaft yn Het Meisje met het Rode Haar.
21 de abr. de 1994 · De flat: Directed by Ben Verbong. With Renée Soutendijk, Victor Löw, Hans Hoes, Jaimy Siebel. Roos Hartman is a young doctor who lives with her son in a large apartment complex. When a fellow tenant is brutally murdered, the police and Hartman's friends suspect her mysterious neighbour, Eric Coenen. As she becomes romantically involved with Coenen, she doubts he would commit such a crime ...
Renée Soutendijk movie reviews & film summaries | Roger Ebert. Movie Reviews TV/Streaming Interviews Collections Great Movies Chaz's Journal Contributors Cast and Crew Renée Soutendijk Find on IMDB. Find on Wikipedia. Reviews. Sweet Dreams (2024) Matt Zoller Seitz. Agatha. Suspiria (2018) Christy Lemire.
18 de ene. de 1991 · Eve of Destruction: Directed by Duncan Gibbins. With Gregory Hines, Renée Soutendijk, Michael Greene, Kurt Fuller. A terrorist hunter is hired by a scientist to deactivate her android double, a walking, talking, murderous nuclear bomb which has gone amok in the big city and is about to explode.
Eve (Renée Soutendijk) is a military robot made to look exactly like her creator (also Soutendijk). When she is damaged during a bank robbery, the robot begins to use more of the memories she has been programmed with by her creator, the dark, angry ones. Vincent Canby called the film "an undistinguished, barely functional action-melodrama."
