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The Last Supper - Then came the day of Unleavened Bread on which the Passover lamb had to be sacrificed. Jesus sent Peter and John, saying, “Go and make preparations for us to eat the Passover.” “Where do you want us to prepare for it?” they asked. He replied, “As you enter the city, a man carrying a jar of water will meet you. Follow him to the house that he enters, and say to the ...
サンタ・マリア・デッレ・グラツィエ修道院 、 ミラノ. 『 最後の晩餐 』（さいごのばんさん、 伊: L'Ultima Cena, 略称 : Il Cenacolo）は、 レオナルド・ダ・ヴィンチ の作品の一つ。. キリスト教 の 新約聖書 のうち マタイによる福音書 第26章 [1] や ヨハネによる ...
La Última Cena. La. Última Cena. 1555 - 1562. Óleo sobre tabla, 116 x 191 cm. Sala 051. Pintada para el banco del retablo mayor de San Esteban, de Valencia, junto a las pinturas sobre la vida de San Esteban ( P00838, P00839, P00840, P00841 y P00842 ), Inspirada en Leonardo, tanto por lo que se refiere al espacio como a la elocuente ...
4 de ene. de 2022 · The Last Supper is what we call the last meal Jesus ate with His disciples before His betrayal and arrest. The Last Supper is recorded in the Synoptic Gospels ( Matthew 26:17–30; Mark 14:12–26; Luke 22:7–30 ). It was more than Jesus’ last meal; it was a Passover meal, as well. One of the important moments of the Last Supper is Jesus ...
La Última Cena. La. Última Cena. Hacia 1620. Óleo sobre lienzo, 107 x 164 cm. No expuesto. La obra ilustra el momento en el que Cristo bendice el pan e instituye el sacramento de la Eucaristía. Las figuras presentan semejanzas con las del Greco, primer maestro de Tristán, pero el colorido y la precisión de las viandas que aparecen sobre ...
The Last Supper by Leonardo da Vinci. In 1495, Leonardo da Vinci began what would become one of history's most influential works of art - The Last Supper The Last Supper is Leonardo's visual interpretation of an event chronicled in all four of the Gospels (books in the Christian New Testament). The evening before Christ was betrayed by one of his disciples, he gathered them together to eat ...
The Last Supper. The Last Supper, also known as the Last Supper, is a wall painting obtained with a mixed dry technique on plaster (460 × 880 cm) by Leonardo da Vinci, datable to 1494-1498 and commissioned by Ludovico il Moro in the refectory of the convent adjacent to the sanctuary of Santa Maria delle Grazie in Milan.
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