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  1. 22 de mar. de 2023 · _ De Coltrane à Don Cherry, la passion du free-jazz selon Nicolas Fily Le Télégramme 3 octobre 2023 _ Goûte Mes Disques x Jam Radio S03E06Don Cherry Jeff Goûte mes disques 12 juillet 2023 _ Chronique Nicolas Fily "Don Cherry, le petit prince du free" Mario Borroni Citizen jazz 11 juin 2023 _"Don Cherry, le petit prince du free" de Nicolas Fily, l'absolu du jazz Ivor Malherbe RTS 22 mai 2023

  2. Don Cherry w 1987 r. Donald Eugene Cherry (ur. 18 listopada 1936 w Oklahoma City, zm. 19 października 1995 w Maladze) – amerykański trębacz jazzowy, jeden z twórców i głównych innowatorów free jazzu oraz gatunku później nazwanego przez dziennikarzy world music. Jego kariera rozwinęła się dzięki długotrwałej współpracy z ...

  3. Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 1. November 2011, 3:30 Don Cherry / Art Deco Used drive : MATSHITADVD-RAM UJ890AS Adapter: 0 ID: 1

  4. 11 de nov. de 2023 · Don Cherry’s “Complete Communion,” released in May 1966, is one such milestone. Serving as both Cherry’s debut as a bandleader and his inaugural release on the esteemed Blue Note Records, this album redefined the boundaries of free jazz and avant-garde expression. Innovations in Free Jazz:

  5. 11 de sept. de 2023 · Don Cherry – Where Is Brooklyn? & Eternal Rhythm Revisited (ezz-thetics, 2022) & Complete Communion & Symphony For Improvisers (ezz-thetics, 2021) Just for information that the Swiss label Hat-Hut re-issues a lot of free jazz iconic albums under the "ezz-thetics" label that they relaunched in tribute to George Russell.

  6. Broadcast from SWR and recorded at the legendary 1967 Free Jazz Meeting in Baden-Baden, Germany this is a collection of four different performances by different line-ups, featuring big names in the European free jazz 60's scene of the time along such top players as Don Cherry, Albert Mangelsdorff, Marion Brown and Evan Parker.

  7. 16 de jun. de 2021 · John Coltrane & Don Cherry – “Focus on Sanity” (The Avant-Garde, 1960) Recorded in 1960 (but not released until '66), this session documented a meeting of two blazing comets in jazz's night sky. Trane was well on his way toward godhead status while Ornette's group were new to New York, deeply polarizing opinions with their free playing.