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Biographie. Thomas Fehlmann étudie aux Beaux-arts de Hambourg de 1976 à 1980. Il forme en 1981 avec Holger Hiller Palais Schaumburg, groupe phare de la Neue Deutsche Welle, dans lequel il joue du synthétiseur et de la trompette. Après la séparation définitive de Palais Schaumburg en 1984, Fehlmann s’installe à Berlin où il construit ...
11 de sept. de 2015 · Columbia. 1. Miles Davis - Bitches Brew. Sometimes records stick with you against their will. For me, Miles Davis’ Bitches Brew was a real door opener towards jazz, something which has never left me since. Even though I am not a musician in the classical sense, it was something that I felt really had an impact on me.
本名: Thomas Fehlmann. プロフィール: Thomas Fehlmann was born 1957 in Switzerland. In Hamburg 1979, he founded the avantgarde band Palais Schaumburg together with Holger Hiller . He moved to Berlin in 1984. After Palais Schaumburg split in '85, he dedicated himself to his home studio and the sampler, releasing records as Ready Made.
Thomas Fehlmann. After a crucial meeting with Conrad Schnitzler at the Art Academy in Hamburg in 1979, Thomas Fehlmann swapped art for music and joined forces with Holger Hiller to co-found vanguard post-punk, electro-pop band Palais Schaumburg, freely connecting disparate extremes as they threw art, disco, minimalism, schmalz, jazz and funk in ...
The roots of almost Thomas Fehlmann’s almost 30-year-long career lie in his work with German avant garde band ‘Palais Schaumburg’ he co-founded with partner Holger Hiller. In the late-eighties he produced as Ready Made, and in the nineties he worked together with Basic Channel’s Moritz Von Oswald and Juan Atkins as 3MB as well as started a partnership with Alex Paterson and The Orb.
With GOOD FRIDGE, FLOWING, Thomas Fehlmann migrates from R&S Records to its ambient sister, Apollo, though the beats haven’t entirely dissipated. Instead, they become the backing for more tracks, from the breaks with smooth refractions of “Superfruhstuck” to the light, airy breaks which help “Zauberwort” float.
25 de jun. de 2007 · Thomas Fehlmann's superb new album starts off in the middle of things, like it only reluctantly consented to be heard after the proceedings had begun. Its reluctance isn't a mark of ill will-- it ...
