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Zhang, Peili. Fecha: 27-abr-2016. Resumen : La DNM había rechazado la solicitud de residencia permanente presentada por una persona extranjera, madre de una niña argentina. Para llegar a esa decisión, alegó que la peticionante había presentado documentación apócrifa, por lo que se configuraba la causal de impedimento prevista en el ...
Considered the first Chinese artist to work in video, Zhang Peili (born 1957) is a pioneering figure in the history of contemporary art. Zhang’s distinctive videos focus on the repetition of actions—breaking a mirror, reading, washing, looking out the window, and dancing—that are familiar yet rendered disorienting through Zhang’s use of perspective, close-ups, and framing.
Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili. Given Zhang’s significance as a leading conceptual painter in the 1980s, then as a media art pioneer and educator in the 1990s and 2000s, Zhang Peili: From Painting to Video ...
266 Follower s. Considered the father of video art in China, Zhang Peili has been producing incisive, internationally acclaimed works since the 1980s, building a career that ushered in and encompasses the entire history of Chinese video art. Keenly critical of his …. Discover and purchase Zhang Peili’s artworks, available for sale.
In 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili’s last paintings to The Australian National University’s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili.
27 de nov. de 2017 · Artist Zhang Peili describes his installations, paintings, photos, and videos as “responses” to reality, personal experiences, and aesthetic trends in China....
Zhang Peili, A Gust of Wind, 2008. Installation with 5-channel video installation, various dimensions. Courtesy of the artist. Peili continued his research outside of the Gardner Museum walls. He spoke to artists, curators, museum visitors, professors, museum directors, and others involved in the liberal arts community in Boston.
