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Der Name „Pain of Salvation“, der auf Deutsch etwa „Schmerz der Erlösung“ bedeutet, stammt von Daniel Gildenlöw, der damit eine Art Gleichgewicht der Gegensätze im Leben darstellen wollte: gut und böse, Licht und Dunkelheit, Schmerz und Erlösung: “I wanted a name that meant something, a name that was more than a cool expression.
1 de sept. de 2014 · Century Media Records Ltd. / 6 Water Lane / Camden / London NW1 8NZ / England From the gatefold: Recorded, mixed and mastered at Roasting House (Malmö, Sweden) Produced by Daniel Gildenlöw, Anders "Theo" Theander, Johan Langell, Pontus Lindmark and Pain of Salvation. Engineered by Pontus Lindmark and "Theo".
15 de ene. de 2002 · Listen free to Pain of Salvation – Remedy Lane (Of Two Beginnings, Ending Theme and more). 13 tracks (69:10). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.
It’s Daniel’s most personal album till then. “Remedy Lane” is the fourth studio album of Pain Of Salvation and was released in 2002. The line up on the album is Daniel Gildenlöw, Kristoffer Gildenlöw, Johan Hallgren, Fredrik Hermansson and Johan Langell. “Remedy Lane” is a conceptual album, where the story teller is very complex ...
16 de jun. de 2016 · I was a sophomore in college in 2002 when I first heard of the band Pain of Salvation.I didn’t know much about them, only their reputation, and I decided to pick up their new album Remedy Lane.As it turned out, I bought a masterpiece, an album that sits in the highest echelons of progressive metal, and one that I’ve listened to hundreds of times over the past fourteen years.
Pain of Salvation es una banda sueca y gran referente del género Metal progresivo centrada en el multiinstrumentista Daniel Gildenlöw. ... 2016: Remedy Lane Re:Lived; DVD. 2005: BE (Original Stage Production) 2009: Ending Themes (On the Two Deaths of Pain of Salvation) Integrantes
PAIN OF SALVATION / Remedy LaneをアマゾンでGET！ スウェーデンのプログレッシブ・メタル・バンド PAIN OF SALVATIONの2002年4thアルバムRemedy Lane。 パッド系シンセの静かな序盤から苦悩を感じさせるヘヴィなパートに移行する、アルバムのイントロダクション的なナンバー#1。
