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Robert Rauschenberg: Man at Work. Synopsis Explores the life and work of Robert Rauschenberg at the time of a major retrospective of his work at the Guggenheim Museum, New York, in 1997. His huge autobiographical work, ‘The 1/4 Mile or 2 Furlong Piece’, provides a focal point for the film.
Robert Rauschenberg--Man At Work - Currently Unavailable. American artist Robert Rauschenberg (b. 1925) is considered to be the founder of Pop Art. This profile follows his career from the 1950s when he arrived on the New York art scene, to his present sculpture and printing work. Rauschenberg talks about his ...
12 de may. de 2008 · The Legacy of Robert Rauschenberg. Rauschenberg's work of the 1950s and 1960s influenced the young artists who developed later modern movements. Andy Warhol and Roy Lichtenstein traced their inspiration for Pop art to Rauschenberg's collages of appropriated media images, and his experiments in silkscreen printing.
Monogram (1955–59) belongs to the series of Combines that Rauschenberg made between 1954 and 1964. A term coined by Rauschenberg, Combines merged aspects of painting and sculpture to become an entirely new artistic category. Art critic Leo Steinberg observed that the orientation of the Combines challenged the traditional concept of the picture plane as an extension of the viewers space ...
12 de may. de 2008 · Order Oil Paintingreproduction. Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations.
20 de dic. de 2005 · Some of the most daring and influential works by one of America's great modern artists – Robert Rauschenberg – will go on view at The Metropolitan Museum of Art on December 20. Robert Rauschenberg: Combines takes a rare and comprehensive look at the three-dimensional works that Robert Rauschenberg (b. 1925) terms combines. The exhibition, which will include approximately 65 objects created ...
From 1951 to 1953, Robert Rauschenberg made a number of artworks that explore the limits and very definition of art. These works recall and effectively extend the notion of the artist as creator of ideas, a concept first broached by Marcel Duchamp (1887–1968) with his iconic readymades of the early twentieth century. With Erased de Kooning Drawing (1953), Rauschenberg set out to discover ...
