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  1. 16 de ene. de 2023 · John Boorman was always ambitious. Getting his start making films for the BBC ’s Documentary Unit, the ‘suburban boy’ was running that department by age 29; then, having directed just one feature, the antic Dave Clark Five vehicle Catch Us if You Can (1965), he shortly after headed to Hollywood. There, he would make films that have been declared both among the very best and the very worst.

  2. John Boorman. Director; en . Excalibur (1981) El sastre de Panamá (2001) El exorcista 2: El hereje (1977) John Boorman Productions. Empresa; en . Zardoz (1974) Si no encuentras lo que buscas, inténtalo con el buscador global. Preguntas más frecuentes | Política de privacidad ...

  3. John Boorman (ur. 18 stycznia 1933 w Shepperton) – brytyjski reżyser, scenarzysta i producent filmowy. Boorman, choć ma w dorobku także dzieła innych gatunków, jest uznawany za mistrza kina sensacyjnego. Jego twórczość charakteryzuje szczególna dbałość o psychologiczną wiarygodność występujących w nich postaci.

  4. 11. Where the Heart Is (1990) Where the Heart Is is a 1990 drama film directed by John Boorman and starring Dabney Coleman and Uma Thurman. The movie tells the story of Stewart McBain (Dabney Coleman), a wealthy businessman who moves his family from New York City to a small town in Virginia to start a new life.

  5. 24 de feb. de 2015 · John Boorman: A master director’s viewing list. 23 February 2015. A master director's favourite films. The film-maker has made hugely influential movies like Deliverance and Hope & Glory. As he ...

  6. John Boorman's film about an outward-bound trip gone wrong was one of the most unnerving of the 1970s. Fifty years on, Adam Scovell talks to Boorman and explores its meaning.

  7. Biography. Renowned for pushing actors and crews to their very limit in order to achieve transcendent results, director John Boorman was a committed filmmaker who refused to settle into fixed genres while remaining as commercially unpredictable as he was artistically fascinating. Routinely dismissing realism in favor of fantasy and myth ...

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