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17 de abr. de 2017 · Allan Holdsworth, Colossus, gentle man, blazed a trail through the heights of musical invention. we can only look up & marvel. God Speed RIP — Kurt Rosenwinkel (@kurtrosenwinkel) April 17, 2017
The Sixteen Men of Tain is the tenth studio album by guitarist Allan Holdsworth, released in March 2000 through Gnarly Geezer Records (United States), Polydor Records (Japan) and JMS–Cream Records (Europe); a remastered edition was reissued in 2003 through Globe Music Media Arts. The album's title is a reference to the Glenmorangie distillery in Tain, Scotland.
Allan Holdsworth (Bradford, West Yorkshire, 6 de agosto de 1946 - Vista, Califórnia, 15 de abril de 2017) [1] [2] foi um guitarrista de jazz fusion, compositor e arranjador britânico. ... 1993: The View; 2012: Dreams Nightmares and Improvisations; Level 42. 1991: Guaranteed;
5 de jun. de 2022 · The double album features the guitar legend live at the 11th annual Jarasum International Jazz Festival in Gapyeong-Gun, South Korea, on 5 October 2014. For this performance, Holdsworth was joined by acclaimed drummer and longtime accompanist Gary Husband and renowned five-string bassist Jimmy Haslip, known for his work with the Yellowjackets. ...
27 de nov. de 2018 · Soprano guitars (1993) - Allan talks about having soprano guitars built by Bill DeLap in the mid 90's. Carvin (1996) - Allan first mentions that he's working on a Holdsworth model with Carvin guitars in 1996. Allan would stick to Carvin for the rest of his career, and continue working on new designs for his namesake models.
1 de abr. de 2000 · Allan Holdsworth's Sixteen Men of Tain is mellow, measured, and melancholy. This is that quiet woodlands walk at dusk or being alone at dawn in the mists of a forgotten moor, type of jazz wonderland. Holdsworth has stayed with his comfortable, even-handed "flow" and gently restrained ways as on None Too Soon and Secrets .
19 de abr. de 2022 · You’ve played Carvin guitars for many years, and often play a Carvin Allan Holdsworth Signature HH2 headless guitar. How did it come about, and why do you like headless guitars? – Ed Simon “The first headless guitar that I played was a Steinberger – I fell in love with the design. They are extremely comfortable and make perfect sense.
