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10 de may. de 2011 · Angus MacLise (top left) with Sterling Morrison (top right), John Cale (front left) and Lou Reed (in keffiyeh) on Ludlow Street in 1965. One of the earliest known pictures of the Velvet Underground. What looks to be a fascinating exhibit devoted to the life work of poet and musician Angus MacLise, opens tonight at the Boo-Hooray gallery space in Manhattan. A bit of an avant garde Zelig ...
21 de sept. de 2023 · Angus MacLise: The forgotten founder of The Velvet Underground. New York City, January 16th, 1966: It’s a cold afternoon in the metropolis, and invitees are hurriedly flocking into the warmth of the Delmonico Hotel. The annual gala for The New York Society of Clinical Psychiatry is about to begin.
3 de mar. de 2023 · Features excerpts from the archives of the Angus MacLise Papers held at Columbia University Library. The archives contain over 100 hours of reel-to-reel tape recordings of live improvised music, theatrical performances, and sound experiments created by MacLise and his associates during the 1960s and 1970s.
Angus MacLise, in his art, music, and spiritual life, sought the universal, the essence, the primal. Often his music was no more elaborate than the Woodpecker's sound, using drone, percussion, chant, spontaneous guitars, or guests in his lessons. His lessons were probably meant more for himself and his friends than for a wider audience.
9 de ene. de 2013 · this clip introduce the Angus album of music and poetry slam "Astral Collapse". You would listen here the first track, call "Smothered under Astral Collapse"...
15 de mar. de 2017 · Angus MacLise (March 4, 1938 - June 21, 1979) was a percussionist, composer, mystic, shaman, poet, occultist and calligrapher. He is probably best known as the first drummer for the Velvet Underground, but had an intriguing career outside of that group. MacLise was a member of La Monte Young's Theater of Eternal Music, with John Cale and Tony ...
Angus MacLise, in his art, music, and spiritual life, sought the universal, the essence, the primal. Often his music was no more elaborate than the Woodpecker's sound, using drone, percussion, chant, spontaneous guitars, or guests in his lessons. His lessons were probably meant more for himself and his friends than for a wider audience.
