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6 de jun. de 2022 · The Blade Runner soundtrack has a huge, cavernous reverb sound that drenches most of the tracks, giving the otherwise dry-sounding CS-80 an epic sound. Vangelis’ reverb effect of choice was his Lexicon 224, which he used from 1980 onwards.
6 de sept. de 2022 · The music that Vangelis created for that 1982 film became legendary in the field of film scoring, combining unique synthetic textures, majestic CS-80 brass tones, and real sound manipulated through a newly-acquired EM-U Emulator sampling keyboard.
17 de may. de 2021 · Greek musician Vangelis’ particular penchant for evocative and emotional performance would provide the synth-heavy soundtrack with a romantic flair. More so, it would introduce a new form of electronic filmic music, still popular today.
Try it free. Read the full article and download the free presets here → https://reverbmachine.com/blog/vangelis-blade-runner-synth-sounds/Get the Ableton Live Projects, m...
1 de jun. de 2021 · Step 1: The iconic synthetic brass patch that sets the mood in Blade Runner is actually a simple sound that depends heavily on Vangelis’ performance and generous reverb. We’ll attempt a similar - albeit simplified - patch using Fathom CM.
Vangelis' favourite keyboard was the Yamaha CS-80 polyphonic synthesizer, which he began using from 1977 and which allowed him to employ a distinctive and expressive vibrato technique by varying the pressure exerted on the key.
6 de jul. de 2022 · From 1975's Heaven and Hell through to 1977's Spiral, 1982’s Blade Runner OST and 1985's Mask, Vangelis’s output from Nemo rode the wave of emerging synth technology and expanded the limits of what electronic music could become.
